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The 20 Greatest Horror Movies of All-Time; Is ‘The Exorcist' Still The King?

Is “The Exorcist” truly the greatest horror film ever made, or has time crowned a new champion of fear? Maybe it’s “The Shining,” ‘Texas Chainsaw,’ “Psycho,” or something entirely unexpected that still keeps you up at night.

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Matthew Libatique Says Darren Aronofsky’s Next Film Will “Experiment” With AI

Here we have Darren Aronofsky's longtime DP, Matthew Libatique, confirming the two are running AI tests before shooting their next feature together.

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Box Office: ‘You Can See Everything' ($2M), ‘Clayface' ($1.9M), ‘Wildwood' ($1.3M) Lead a Quiet Thursday

Thursday numbers are in, and they hint at a quiet weekend, especially with no big wide release, unless you count "Christmas at the Kringles" as one. It managed $200K in previews from around 1800 screens.

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Angel Studios Bans Sex, Nudity and F-Words (Violence is Okay) in Sweeping New Content Policy

The studio has unveiled "The Angel Promise," a sweeping new content policy that bans on-screen sex, nudity, F-words and any misuse of God's name in its films.

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Amanda Seyfried Joins Brady Corbet's ‘The Origin of the World'

Seyfried just came off “The Testament of Ann Lee,” which, Corbet’s partner, Mona Fastvold directed and co-wrote with him. Corbet also served as second unit director on that film.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Polanski's Venice-Winning ‘An Officer and a Spy' Still Has No U.S. Distributor

October 1, 2019 Jordan Ruimy

When Roman Polanski’s "The Ghost Writer" was released in 2010, somebody wrote to the late great Roger Ebert complaining about his decision to see and review the film. Ebert replied: "A film is a film. It is good or bad. If I began making moral judgments of directors -- or actors, or writers -- where would it end?"

Polanski‘s “An Officer and a Spy”, which won the Silver Lion at last month’s Venice Film Festival, will probably never be theatrically distributed and released in the United States. Due to the current socio-political climate in the country, Polanski has been canceled over a late ’70s statutory rape case — the same case which, lest we remember, didn’t stop the Academy from honoring Polanski with their Best Director statuette back in 2003 for the holocaust drama “The Pianist.”

I briefly mentioned to Hollywood-Elsewhere’s Jeffrey Wells, during our podcast this past weekend, that IMDB listed “An Officer and a Spy” as having already been released in Mexico, which prompted Wells to potentially book a last-minute trip to Mexico so that he could catch the movie. However, he couldn’t find a confirmation online that the Mexican release had indeed occurred.

And so, Wells decided to email Francois Yon who presides over Sales & Business Development for Playtime Group, the studio distributing the film all over Europe. Wells wrote, “How might I someday see An Officer and a Spy (aka J’Accuse) in this country? I realize that the odds are against theatrical distribution because of the wokester #MeToo political climate, but surely someone has the bravery to distribute this film, at the very least on a streaming basis.”

 Yon responded, “Thank you Jeffrey. Maybe you should write about this situation and how the American audiences are being culturally cut out from the rest of the world. It did happen a few times in past American history so I remain hopeful that it will change once the Trump years are behind us.”

Is it so surprising that, despite “An Officer and a Spy” winning the second-place prize at Venice and topping polls there as well, American cinephiles will likely never see Roman Polanski’s latest in theaters? The film has been garnering glowing reviews in Europe. However, American critics have, unsurprisingly, panned the film.

“An Officer and a Spy” currently holds a 58% rotten score and 56 score on Metacritic.

IndieWire critic David Ehrlich (review), Variety’s Debprah Young (review), Variety’s Owen Gleiberman (review), The Playlist’s Christina Newland (review) and The Wrap’s Alonso Duralde (review) all disliked Polanski’s film. However, Glenn Kenny’s rave for RogerEbert.com was a nice and refreshing read. Kenny stated that the film “has something very real and urgent to say about the world we live in today. It's kind of a shame you'll probably never get to see it.”

← Martin Scorsese Raves About Ari Aster's ‘Hereditary'‘Joker’ Director Todd Phillips Says ‘Woke Culture' Ruined Comedy; ‘Far-Left' Censorship Dangerous. →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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