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‘Wildwood’ Gets PG-13 Rating as LAIKA’s 140-Minute Stop-Motion Epic Targets Older Audiences

The exact details of the MPA’s rating for “Wildwood” are as follows: Rated PG-13 for “strong fantasy violence/bloody images, thematic material, suicide related material, brief partial nudity and language.”

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‘Priscilla, Queen of the Desert’ Sequel Is Happening, Guy Pearce Says: “We’ll Probably Shoot It in 2027”

Speaking of sequels—the unusual kind, which are always the best kind—here’s a major update on one that’s been brewing since the pandemic.

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‘Practical Magic 2’ Tracking $45M+ Opening, the Latest Sign of Hollywood’s ’90s/‘00s Nostalgia Boom

The sequel looks like a vehicle to reunite Kidman and Bullock. Moviegoers are responding. This might turn out to be Warner Bros.’ biggest hit of the year—until “Dune 3”—and will easily outpace “Supergirl.”

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David Fincher’s ‘Cliff Booth’ Will Get an IMAX-Only Release From Netflix, Playing in Just 350 U.S. Theaters

The latest on “The Further Mis-Adventures of Cliff Booth,” starring Brad Pitt, written by Quentin Tarantino, and directed by David Fincher, is that it’s getting an unusually restricted theatrical release.

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‘Coyote vs. Acme’ Opens to OK $15M as ‘The Dog Stars’ Bombs With $8M at the Box Office

“Coyote vs. Acme,” came very close to never getting released, yet, it almost doubled the weekend box office of Ridley Scott’s much-pricier “The Dog Stars.”

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Joker’ Director Todd Phillips Says ‘Woke Culture' Ruined Comedy; ‘Far-Left' Censorship Dangerous.

October 1, 2019 Jordan Ruimy

Before triumphing with “Joker,” [my review] director Todd Phillips was more known as the helmer behind raunchy but funny (“The Hangover,” “Old School,” “Road Trip,” “Starsky and Hutch”). However, he now claims that he has no interest in returning to the comedy genre due to the current-day far-left censorship of comedy.

Speaking to Vanity Fair, Phillips explained his exit from comedy, and, if you’ve read this site over the last year, he points out the same argument that I have been consistently making: that ‘woke culture’ is ruining the genre’s ability to tickle the funny bone.

“Go try to be funny nowadays with this woke culture,” Phillips said. “There were articles written about why comedies don’t work anymore — I’ll tell you why, because all the fucking funny guys are like, ‘Fuck this shit, because I don’t want to offend you.’”

He continued, “It’s hard to argue with 30 million people on Twitter. You just can’t do it, right? So you just go, ‘I’m out.’ I’m out, and you know what? With all my comedies—I think that what comedies, in general, all have in common—is they’re irreverent. So I go, ‘How do I do something irreverent, but fuck comedy? Oh I know, let’s take the comic book movie universe and turn it on its head with this.’ And so that’s really where that came from.”

Phillips is currently doing press for his mesmerizing landmark “Joker,” a film that has been scrutinized by the left as potentially awakening incels that could shoot up movie theaters nationwide. I have been carefully avoiding this topic because I find most of what the far-left criticizes in the arts these days to be, well, fascist.

Phillips seems to agree. Speaking to The Wrap, he spoke about the concerns from Aurora shooting victims’ families and the US military about his film, claiming that the far-left is censoring, much in the same way that the right used to back in the ‘80s and ‘90s.

“I think it’s because outrage is a commodity, I think it’s something that has been a commodity for a while. What’s outstanding to me in this discourse in this movie is how easily the far left can sound like the far right when it suits their agenda. It’s really been eye-opening for me.”

“Joker” is hitting theaters on October 4.

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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