Here we have Darren Aronofsky's longtime DP, Matthew Libatique, confirming the two are running AI tests before shooting their next feature together.
Thursday numbers are in, and they hint at a quiet weekend, especially with no big wide release, unless you count "Christmas at the Kringles" as one. It managed $200K in previews from around 1800 screens.
The studio has unveiled "The Angel Promise," a sweeping new content policy that bans on-screen sex, nudity, F-words and any misuse of God's name in its films.
Seyfried just came off “The Testament of Ann Lee,” which, Corbet’s partner, Mona Fastvold directed and co-wrote with him. Corbet also served as second unit director on that film.
This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.
"I will die with my boots on. I won't make a digital film in this life," he told one interviewer. "Cinema is made from light. I am a filmmaker, not a pixel-maker."
"And yet he ploughs on, with his stirring Finnish mix of optimism and pessimism, humor and melancholia. What else can he do? "Cinema can't change much," he says. "But it can certainly reach some people and change some opinions. You can only hope."
[SMH]
Is “The Exorcist” truly the greatest horror film ever made, or has time crowned a new champion of fear? Maybe it’s “The Shining,” ‘Texas Chainsaw,’ “Psycho,” or something entirely unexpected that still keeps you up at night.