This looks like something Eastwood would have released in the aughts? More specifically, in 2005 or 2006, when his double-bill war saga, “Flags of Our Fathers” and “Letters from Iwo Jima,” came out.
John Malkovich, just a day after entering the top of the Best Actor race for his “Wild Horse Nine” performance, was announced to star in a production of “The Music Critic” in Israel next year.
Some are starting to believe that Netflix may finally be softening its long-held resistance to theatrical movies — or maybe it’s all optics. It’s hard to tell.
It pains me to say this, but Casey Affleck’s “Company,” as beautifully shot as it might be—by eight different cinematographers, no less—has a story, or stories, that just don’t take off.
This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.
We’re just 24 days away from its release, yet there doesn’t seem to be much excitement building around this film. The marketing has not worked.