Apparently, we haven’t had enough of “Sense & Sensibility.” Georgia Oakley, coming off the quiet indie success of “Blue Jean,” is taking a swing at Jane Austen’s oft-adapted classic, with Daisy Edgar-Jones.

Well, that didn't take long. Paramount has struck a deal with the 12 state attorneys general who sued to block its acquisition of Warner Bros. Discovery.

I should warn you: based on everything I’ve heard, this teaser is a total misdirection. The movie is not at all what it’s being portrayed as here. In fact, most of the footage in the teaser comes from the first few minutes of the film.

Netrflix finally decided to stop teasing us with cryptic teasers and given us an actual trailer for David Fincher's Quentin Tarantino-scripted 'Once Upon a Time... in Hollywood' sequel.

Here's a small scoop for Sunday night. Nothing too exciting, since it concerns the once-promising Ben Wheatley, a filmmaker who broke out with the cult-horror gut-punch of "Kill List" and "A Field in England.”

Eisenberg has made a surreal nightmare of a comedy, one that's a step up in polish. It helps that Moore is wildly unhinged here — this performance is something to see, and some of her strongest work in years.

Jeremy Strong is at it again. During the ‘Social Reckoning’ shoot he treated his co-stars "the way he imagined" Mark Zuckerberg would treat them. Strong, of course, plays the Meta CEO in the film.

The 51st Toronto International Film Festival has handed its People's Choice Award to "La Bola Negra," the Los Javis film that premiered at Cannes and has been quietly building steam ever since.

Cregger has pulled off another box office hit. His reboot of "Resident Evil" opened to $60M — well past the $40–50M tracking and, by a wide margin, the biggest debut the franchise has ever seen.

This weekend, California AG Rob Bonta is meeting with Paramount to discuss a potential deal in the Warner Bros. Discovery merger.

Variety suggests the film is so bad that it may be time for a total ban on major festivals programming films that use AI, and argues audiences deserve some kind of disclosure before they buy tickets.

I can't tell you what it is — but most of our readers can figure it out. There's a social embargo until the 22nd, and reviews aren't permitted to run until 48 hours before release.

The film is set to shoot in fall 2027. The idea would be to release it in December 2028, timed to Trump's exit from office. Oh, and it's now Warner Bros.' indie label, Clockwork, that's backing the film.

The source material, for the uninitiated, is Arrowhead Game Studios' co-op shooter — muscle in power armor defending "Super Earth" from bugs and robots in a war game.

A US theatrical rollout is starting Sept. 30 in NYC, will expand to Los Angeles and other markets on Oct. 9 and then roll out nationally via a plan that forgoes selling the film to a studio or independent distributor.

Cregger himself pinpoints that “2001: A Space Odyssey” was an inspiration on “The Flood,” although he steers clear from directly comparing it to Kubrick’s masterpiece.

After more than a decade of false starts, Paramount has closed deals with Brad Pitt to star and Edward Berger to direct the sequel to “World War Z.”

Here's our very first clip for Alejandro G. Iñárritu's "Digger." There have been two trailers so far, with not much reveal, but this is our first look at a scene from the film.

More Narnia. This time, our first look at Emma Mackey as Jadis, and the image confirms that this will be a very different interpretation of the character first portrayed by Tilda Swinton decades ago.