There’s been a steady buzz building around Phil Lord and Chris Miller’s “Project Hail Mary,” the upcoming sci-fi film from Amazon/MGM that stars Ryan Gosling and is based on Andy Weir’s bestselling novel.

It took a few days, but we finally have the numbers, and they are brutal. “Christy” grossed $108K this past weekend, from 817 locations, which is a 92% drop from opening weekend.

Nolan’s sound editing and mixing has always been a polarizing topic. Many have wondered why he never addresses the issue, given how frequently detractors bring it up.

My own opinion? In the past 25 years, Scorsese has delivered at least two stone-cold classics: “The Departed” and “The Wolf of Wall Street.” These are films that retain his voice — the excess, the violence, the stylized narrative.

The cast for “Heat 2” is starting to take shape. Leonardo DiCaprio was already circling a role in the much-anticipated sequel, and now we can add another great actor to the mix: Christian Bale.

Oh boy— to the shock of absolutely nobody, here comes another Disney live-action remake. The Mouse House has released the first teaser for “Moana,” starring Catherine Laga‘aia and Dwayne Johnson.

Francis Ford Coppola is a fan of “Frankenstein,” the latest $100M+ Guillermo Del Toro extravaganza, which is now available to stream on Netflix.

It looks as though Apatow’s Glen Powell–starring comedy, announced back in April, will begin shooting early next year. They wrote the script together. The film follows a country western star in free fall.

After 20 punishing years of superhero movies, Hollywood has now shifted its franchise obsession toward video game adaptations. The gold rush to claim every big IP is here.

Cameron is now telling ‘Alita’ fans not to worry — with “Avatar: Fire and Ash” now in the can, it sounds like development is speeding up on that sequel.

He should have won for “Magnolia,” but Tom Cruise, 63, finally has an Oscar — the Honorary kind, picked up this weekend at the Governors Awards.

Here’s an original creation, unbound by IP, that has somehow managed to hit $200M worldwide this weekend. In 2025, that would be a feat unto itself if it weren’t for that ridiculous budget

Zucker noted that, alongside brother Jerry and Jim Abrahams, they had found “a certain method to the madness” with their 1988 spoof starring Leslie Nielsen.

After the success of “Sinners,” Ryan Coogler could have probably made any movie he wanted, with almost any studio happily giving him the budget needed, and yet he’s decided to go back to Marvel.

If you’re a regular reader, then you might already know that the two projects Park is referring to are “Brigands of Rattlecreek,” a western written by S. Craig Zahler, and “Genocidal Organ.”

The best modern example of this approach, that I can think of, is another Eggers film, “The Lighthouse,” which was shot entirely in 1.19:1, an almost square frame.

With Rajamouli, it’s go big or go home. He’s all about excess, with no room for subtlety whatsoever — and that’s part of the reason western audiences fell for “RRR.”

My biggest issue with “The Running Man” is that it didn’t feel like an Edgar Wright movie, missing his signature fast-paced editing, energetic camera work, and visual storytelling.

Still, the film was made for under $10 million. It was a quick, low-budget horror project shot during the WGA strikes, starring non-union actors and written by a non-union Canadian writer — so all is still well in Perkins-land, for now.

It’s no coincidence that the name change comes only two years after the ceremony moved to Netflix for its 30th edition. Organizers were likely “encouraged” by the streamer to rethink the show’s presentation