The runtimes for most of the titles screening at the 82nd Venice Film Festival are starting to pop up. I’ll continue to edit this page as they come along.

Warner Bros. has decided that the best way to market Paul Thomas Anderson’s $150+ million “One Battle After Another” is… by putting it in Fortnite.

To mark the “occasion,” Prime has released a trailer, accompanied by a short description that reads: “Ice Cube fights aliens to save his family and the world.”

Only Trey Parker and Matt Stone could sign a $1.5 billion deal with Paramount and then immediately torch the network, and possibly the entire arrangement, less than 24 hours later.

Lionsgate has officially optioned the rights to another King title, “The Girl Who Loved Tom Gordon,” with rising “Strange Darling” filmmaker JT Mollner set to write and direct.

The trailer for Park Chan-wook’s “No Other Choice” has officially been released by Neon. An inevitable Venice Film Festival premiere seems imminent

Ilya Naishuller, best known for “Hardcore Henry” and the Bob Odenkirk-led “Nobody,” has officially stepped in to direct “Road House 2.”

Clint Bentley’s “Train Dreams,” a Malickian drama about a railroad worker who lives an isolated life, was acquired by Netflix in later January. The deal was reported to be in the $10M range. A trailer has been released for Bentley’s film.

It’s becoming more and more likely that Gilliam has directed his final film. As much as he remains creatively restless, the system no longer seems built to support someone like him.

Paul Thomas Anderson’s “One Battle After Another,” his 10th film, has released a new trailer, and it’s a wild one. The best of the bunch, so far.

NYFF has announced that Jim Jarmusch’s latest effort, “Father Mother Sister Brother,” will serve as this year’s Centerpiece selection, with its North American premiere set for October 3.

For many, his loss still stings, still feels unresolved. Because the truth is, in every film he touched, he made it better.

As expected, Lionsgate has decided to delay its long-in-the-works Michael Jackson biopic “Michael” to April 24, 2026 global theatrical release.

When Taylor Russell abruptly exited Michael B. Jordan’s “The Thomas Crown Affair” mid-shoot due to the usual “creative differences” line, plenty of eyebrows were raised.

In a surprising development, HBO has confirmed that legendary composer Hans Zimmer will score Sam Levinson’s upcoming third season of Euphoria.

Initial reactions suggest a more conventional, lower-stakes dramedy than his previous two features, with a tone and structure some compared to “The Big Sick.”

If you’ve never heard of “Calexit,” it’s about an authoritarian U.S. president who signs an executive order to deport all immigrants, California refuses.

I don’t envy the people tasked with putting together these kinds of lists—especially when it comes to horror, a genre defined by its wildly diverse tastes and countless subgenres.

By my count, Aziz Ansari’s “Good Fortune,” which is set to world premiere at TIFF, holds the unofficial record for most test screenings of any film in 2025.

Bryan Fuller (“Hannibal”) has decided to make movies, and the result looks as deranged as you’d expect. I’m hearing a TIFF Midnight Madness slot is reserved for this one.