Clayface” will be directed by “Speak No Evil” director James Watkins, and is the next DCU film to enter production, this coming fall, and scheduled to hit theaters on Sept. 11, 2026.

While plot details remain tightly guarded, this latest casting news makes it clear that Villeneuve’s upcoming ‘Messiah’ might leak into “Children of Dune” territory.

In Star Wars, “the Force” is a mysterious energy that bestows supernatural powers upon the chosen few. In Hollywood, that power is called “leverage.”

Carla Gugino is the latest name to join “The Adventures of Cliff Booth,” the Netflix project directed by David Fincher and based on a script by Quentin Tarantino.

On Friday I mentioned how Neon had basically given up on Mike Flanagan’s “Life of Chuck,” and that it was headed for an abysmal weekend. It turns out, the numbers are far worse than I expected.

MUBI has slated “Die My Love” for a November 7 release, right in the heart of awards season. A stop at TIFF seems likely ahead of its release, but regardless of the path it takes, Jennifer Lawrence’s daring performance feels like a near lock for Oscar recognition.

“Supergirl” is a gamble. No built-in audience, no slam-dunk creative vision (yet), and it’s being released into a franchise landscape that’s seen better days.

Now that we’ve reached the sixth year of the decade, IndieWire decided it was the perfect moment for its team of writers to put together a “best of the decade” list. The outcome?

Although Matt Reeves has his own Batman franchise for Warner Bros, James Gunn decided that it was a smart move to work on a separate Caped Crusader project for his upcoming DCU.

The movie hits theaters this Friday, and yet, thanks to Sony’s iron-clad embargo, we’re not allowed to talk about it until Wednesday at 5PM ET — a measly 24 hours before Thursday previews start rolling. Not exactly what you’d call a confidence-inspiring strategy.

Paramount has dropped a new trailer for the ‘Naked Gun’ reboot, landing in theaters July 18th. It’s one of the very few major studio comedies this summer — and, on paper at least, it looks like it could actually deliver.

“Ballerina” took a sharp 65% tumble in its second weekend, pulling in just $9M —a steep drop that further proves there are limits to milking IP content.

Will Smith is the king of saying “nah” to iconic movie roles. The man has screwed himself out of so much career-boosting work that his taste in scripts has come into serious question.

Did “Materialists” live up to the hype for you? Is Celine Song at risk of being a one-hit wonder, or do you see real promise in what’s ahead for her career?

Natasha Lyonne, a five-time Emmy nominee, is set to portray the legendary Joan Rivers in “Can We Talk?,” a biopic currently in development at Sony’s 3000 Pictures.

In case you were wondering what was going on with Chris Stuckmann’s “Shelby Oaks,” well, nothing good, or maybe some good if your idea of a positive update is reshoots, re-edits and doubling the budget.

It’s not that Mike Flanagan’s “The Life of Chuck” is a bad movie — it’s not — but after it surprised many by winning last year’s TIFF People’s Choice Award, expectations rose a little too high.

Dwayne Johnson, who already lined up projects with Benny Safdie and Martin Scorsese, has now added Darren Aronofsky to his arsenal. 

According to Deadline, McConaughey is currently in discussions to take on the lead role in a new film centered on iconic noir detective Mike Hammer.

Clearly, Ms. Johnson has been scarred by her experience filming “Madame Web.” The Sony-backed superhero misfire is a project she’s all but distanced herself from since its release.