In news that suggests we’ve officially run out of original ideas, Blumhouse has announced that Octavia Spencer is coming back to reprise her role in a sequel to “Ma.”

Schrader is now in prep mode for “The Basics of Philosophy,” which starts shooting June 26. The film will continue in the stylistic vein as “First Reformed,” “The Card Counter,” and “Master Gardener.”

THR’s insiders indicate Disney is leaning toward elevating longtime team members. The most “likely” option involves Dave Filoni and Carrie Beck stepping into shared leadership roles.

Blumhouse slapped a March 13, 2026 release date on ‘Deceiver,’ but Flanagan, busy bee that he is, now confirms that he won’t be able to meet that date, let alone start production on the film anytime soon

In an interview with Collider, Ridley Scott, who will soon wrap up his sci-fi film “The Dog Stars,” basically implies that rest is for the weak, and he’ll be prepping to go into production on yet another film in the fall.

Turns out, the fake Clint Eastwood interview was stitched together using years-old quotes by a longtime member of the Hollywood Foreign Press Association.

Coming off a Cannes debut which saw his “Honey Don’t” screened in the Midnight section, on the very last day of the fest, Ethan Coen is now aiming to direct the third film in his planned queer trilogy.

Reilly is a uniquely versatile performer, capable of headlining absurd comedies as easily as delivering deeply affecting performances in dramas. He’s one of the great character actors of the 21st century.

James Gray has officially started production on his next film, “Paper Tiger,” a domestic crime drama that marks his first feature in nearly four years. Production began this week in New Jersey.

Though plot specifics are being kept under lock and key, the project already has momentum with Andrew Garfield, Monica Barbaro, and “Anora” breakout Yura Borisov in early discussions to star.

Yes, the third and final chapter is still a big “if.” Funding hasn’t been secured yet, and its future hinges on how audiences respond to the first two entries.

Pedro Almodóvar is officially gearing up to shoot his next film, “Bitter Christmas,” a holiday-set tragicomedy that marks the Spanish auteur’s return to his native language after back-to-back English-language efforts.

Serkis, known for pushing performance capture and digital storytelling forward, would like to think he’s the filmmaker who can finally crack the code and deliver a version that does Orwell’s message justice.

Visually, it looks gorgeous, like all of Kogonada’s other films, with Benjamin Loeb (“Mandy”) behind the camera. However, plot-wise, it plats rather gooey and mawkish.

The man who gave us the nightmare in space has officially tapped out — and, surprise, he’s not exactly thrilled with what’s happened to his baby.

Baker has zero interest in diluting his voice for a larger paycheck. He’s staying scrappy—and good luck to anyone trying to tell him otherwise.

Here’s a plot twist. Clint Eastwood wants it known—he never sat down for a recent so-called interview that’s been making the rounds online.

One of our most anticipated films of the summer is Joseph Kosinski’s ”F1,” which, according to a press invite I just received, clocks in at an ambitious 155 minutes. It’ll certainly be one of the lengthier major studio movies of the season.

Tony Kaye can officially be removed from the list of directors who’ve gone quiet. After a long hiatus, he’s making a return with his first film in well over a decade.