There’s a fascinating movement going on in American indie cinema. Sean Baker and the Safdies are creating what I like to call “Gutter Poetry,” cinema out of the American middle and lower class.

THR is now that 14% of Pixar’s employees have just been laid off as part of Disney’s cost-cutting measures. It will be the biggest restructuring in Pixar's history.

It looks like cameras are rolling on Benny Safdie’s “The Smashing Machine,” being produced by A24. A first look image has been unveiled by the studio.

In April, I had been told, by two separate sources, that Jeff Nichols was in talks to adapt the late Cormac McCarthy’s last two novels, “The Passenger” and “Stella Maris.” Last I heard, he was close to striking a deal with the McCarthy estate to adapt these works.

Donald Trump’s comms director has issued a statement promising legal action against the filmmakers involved in “The Apprentice.”

Now, two years since production wrapped, and formerly stuck in post-production hell, it does look like the end is near. "It's finally finished," Lange, 75, tells PEOPLE "You'll be able to see it in theaters."

In her review, The Daily Beast’s Esther Zuckerman disliked ‘Horizon’ for another set of reasons. Her headline says it all: “Kevin Costner’s ‘Horizon’ Review: A Misogynistic, Racist Mess.”

It pains me to say this, but David Cronenberg’s “The Shrouds” is such a disappointment. I was a major fan of his last film “Crimes of the Future,” but this latest one gets lost in muddled ideas and tons of conspiracy theories.

Mel Gibson’s “Flight Risk,” starring Mark Wahlberg, is officially scheduled for theatrical release on October 18, 2024. A prime fall slot that will see it pitted that same weekend against Paramount’s “Smile 2.”

The sheer risk it took for Ali Abassi to make a film about Donald Trump, and know what? “The Apprentice” works very well as an origin story of what made Trump who he is today.

It didn’t look like John Krasinski’s “IF” was going to hit $30M. Friday’s receipts were average ($9M) but word of mouth travelled (“A” CinemaScore) and the film landed a $34M opening weekend.

Oliver Stone, 77, currently the Chomsky of Hollywood filmmakers, is still fully engaged, plugging away and making docs — his latest one, “Lula,” premiered yesterday.

Coralie Fargeat’s “The Substance,” an instant body-horror classic, is the best film I’ve seen, so far, at Cannes. This is an absolute onslaught of audacity— sound, imagery and blood, tackling Hollywood’s obsession with female beauty.

Cannes is a place where I tend to get a lot of good scoops. Here’s some new intel regarding that Adam Sandler/Josh Safdie film that’s been heavily delayed.

Kevin Costner premiered the first of his four ‘Horizon’ movies tonight in Cannes. Despite a 7-minute standing ovation, not all critics are being kind to his 3-hour western. It was to be expected.

It’s been four days since Francis Ford Coppola’s “Megalopolis” screened here and know what? People are still talking about it. You’ll still bump into someone who wants to talk about this highly eccentric film.

Guy Maddin's “Rumours” screened last night and it's his goofiest, most mainstream film to date. Working as a sort of comedy-satire that delves into the lunacy of governing.

My sources already confirmed to me that Austin Butler was going to be par tof Michael Mann’s “Heat 2.” He’s set to play Chris Shiherlis, originally portrayed in 1995’s “Heat” by Val Kilmer.

AMC has added a trigger warning to another classic, “Goodfellas.” Before the film begins, a message reads at the warning of “cultural stereotypes that are inconsistent with today’s standards of inclusion and tolerance.”