Despite good reviews, Michael Mann’s ”Ferrari” has been underperforming theatrically with just $23.4 million earned so far, on a $95 million budget.

Danielle Brooks is the latest ‘Color Purple’ star to complain about her less-than-ideal working conditions while making the musical.

After numerous delays due to the strike, “A Complete Unknown,” the Bob Dylan biopic from James Mangold, finally starts production in late March. Shooting will be done in Montreal and New York.

I was tuning in and out of the ceremony last night, but did catch host Jo Koy bombing his monologue. I felt bad for the guy, he was clearly not the top choice to host the ceremony, but there he was, a second-tier comedian trying to make people laugh.

“Wonka” was once again box-office champ this weekend, claiming first place with $14.4 million in its fourth weekend of release. It’s a crowd pleaser that was released at the absolute right time.

Andrew Garfield has dropped out of Guillermo del Toro’s “Dr. Frankenstein” and been replaced by, Mr. bathwater himself, Jacob Elordi.

Gosh, here comes Judd Apatow, disagreeing with the Academy of Motion Picture Arts and Sciences’ decision to classify Greta Gerwig’s “Barbie” as an adapted screenplay rather than original.

‘The Accountant 2’ is officially a go, according to Daniel Richtman. Amazon will produce the film. Gavin O'Connor is directing again and Ben Affleck will reprise his role.

Boots Riley turned some heads at Sundance 2018 with “Sorry to Bother You,” a madcap vision about corporatist America.

Last week, after nearly three years of filming, Wong Kar-wai’s “Blossoms” premiered in China. The series is a whopping 30 episodes, around 50 minutes each — this totals to 25 hours of television.

Paul Verhoeven released his excellent “Benedetta” in 2021, but the 85-year-old filmmaker isn’t slowing down. His impressive filmography, which includes “RoboCop,” “Total Recall,” “Starship Troopers” “Basic Instinct” and “Elle,” will be adding another project very soon.

The NSFC, founded in 1966 and made up of more than 60 critics from across the country, is one of the most distinguished groups of awards season.

Mann hasn’t shot on film since 1999’s “The Insider.” These last 20 years he’s garnered a reputation as a trailblazer in digital filmmaking.

As I had recently written, “The Color Purple” has had its Best Picture chances sliding away in recent weeks — it missed BAFTA, The Golden Globes, Guilds, and, after a strong start, barely made a dent at the box-office.

There’s been some major critical resentment towards Sheridan’s recent work. You won’t find “Yellowstone” nominated for any Emmys. Critics haven’t been any kinder, as backlash has developed over his work

In a new interview with Korean outlet 씨네21, Villeneuve is now saying that maybe, just maybe ‘Messiah’ might be next.

We can debate all day what Quentin Tarantino’s best film is — I’ll personally vouch for “Pulp Fiction,” but there are plenty of other great ones in contention.

In celebration of Bond composer John Barry, the British Film Institute is presenting a series of films he worked on and have decided to tag “trigger warnings” in the process.

In his latest Oscar forecast, THR’s Scott Feinberg is predicting that Greta Gerwig’s “Barbie” will win Best Picture. Madness!