“King of Comedy” is one of Martin Scorsese’s most under appreciated films; mostly because, when it was released in 1983, it wasn’t loved by critics. Scorsese was coming off the sobering triumph of “Raging Bull” and both films couldn’t have been less alike.

We had first reported that George Miller’s “Furiosa,” and Warner Bros, were eyeing a Cannes 2024 works premiere and now it’s been backed up by Variety.

After “CODA,” director Siân Heder probably has plenty of projects to choose from when it comes to what her next movie might be. The sky‘s the limit and the industry seems to have come calling.

Greta Gerwig’s “Barbie” will be damn-near impossible to avoid this awards season, so get used to it. It has its legions of fans, including critics, and I can easily see it getting nominated for Picture, Director …

I don’t have high hopes for Matt Brown’s “Freud’s Last Session,” which is set to world premiere at the AFI Film Festival in late October.

I like British filmmaker Steve McQueen; in fact, he’s probably one of the best directors working today. With that said, his 4-hour doc, “Occupied City,” which I saw at Cannes, is a major artsy bore.

Comedian Chris Rock has been tapped by Universal Pictures to direct the “definitive cinematic biopic” about the life of Martin Luther King Jr.

Variety’s Clayton Davis has his fair share of detractors, but I agree with his assessment that Ryan Gosling could potentially win the Best Supporting acting Oscar for “Barbie.”

It’s been six years since Daniel Day-Lewis announced his second retirement from acting. Some were skeptical that he would actually stop acting, but so far, he’s stayed true to his word.

Kevin Costner, director, is back behind the camera for the first time since 2003’s “Open Range”. Costner won an Oscar for directing 1990’s “Dances With Wolves,” which was also bestowed Best Picture honors.

Paranoid is the word I’d use to describe Kitty Green’s “The Royal Hotel,” which gets released in theaters this Friday, via NEON. It’s a chamber piece, solely relegated to a single location, that results in a taut, tense and terrific film.

An early cut of the film had it at around 3 hours 15 minutes — no word yet on what the final runtime will be.

You might be interested to know that producers Steven Spielberg and Tom Hanks’ much-delayed Apple TV+ series “Master of the Air” will debut its the first two episodes in January, followed by weekly installments until March 15.

“The Exorcist: Believer” is tracking to open to $30M+ domestically. The film cost $30M to make, but Universal bought the rights to make the trilogy for $400M.

Hirokazu Kore-eda’s “Monster” has a trailer. It’s also been given a release date — November 22nd in Los Angeles on December 1st in New York. No word yet on a wider expansion.

Pedro Almodóvar will be shooting his first full-length English-language feature next March. The film, set in New York City, is rumored to be about three female friends.

Anderson’s four short films, all based on Roald Dahl stories, are now available to stream on Netflix.

Many were surprised by France’s selection of Trần Anh Hùng’s “The Taste of Things” as their Oscar selection for Best International Film. Justine Triet’s “Anatomy of a Fall” was right there. Regardless, Hùng’s film now has a trailer, via IFC.

”Rumours” has been granted a SAG-AFTRA Interim Agreement allowing the production, which isn’t associated with the AMPTP, to proceed.

The trailer for Eli Roth’s “Thanksgiving,” set for release on November 17th. It test screened last week — here’s a reaction of this morning’s trailer from a person who has seen “Thanksgiving”: