• Home
  • Reviews
  • Interviews
  • Lists
    • Yearly Top Tens
    • Trailers
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
BREAKING: Netflix Wins Bidding War to Acquire Warner Bros.
IMG_0988.jpeg
Matt Reeves Defends Paul Dano After Quentin Tarantino Calls Him “The Limpest Dick in the World”
IMG_0984.jpeg
Darren Aronofsky to Direct Gillian Flynn-Penned Erotic Thriller for Sony
Screenshot 2025-12-04 154349.png
‘Men in Black 5’ Eyes Will Smith Return
AFI’s Top 10 Films of 2025: Oscar Blueprint or Major Snubs?
AFI’s Top 10 Films of 2025: Oscar Blueprint or Major Snubs?
Featured
Capture.PNG
Aug 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
Aug 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Aug 19, 2019

World of Reel

  • Home
  • Reviews
  • Interviews
  • Lists
  • More
    • Yearly Top Tens
    • Trailers

‘Coda’ Director Siân Heder’s Next Film is a Rom-Com

October 6, 2023 Jordan Ruimy

After “CODA,” director Siân Heder probably has plenty of projects to choose from when it comes to what her next movie might be. The sky‘s the limit and the industry seems to have come calling.

It was reported in March that her Best Picture follow-up would be a sci-fi movie, “The Blue Afternoon That Lasted Forever,” written by Sarah Polley, at least according to Jeff Sneider. However, based on what I’ve heard, she has another project lined up, a rom-com, and it might actually go into production before Polley’s film.

Heder is set to direct “The Impossible Us”, an adaptation of Sarah Lotz’s eponymous 2022 novel. Filming is expected to begin in early 2024. Here’s the official synopsis:

The romantic comedy film follows Nick, a ghostwriter, and Bee, who works on repurposing wedding dresses. While Nick is a disappointment to himself and his estranged wife, Bee is a commitment-phobic woman who does not want to get married despite being in the wedding business herself.

Heder’s 2021 indie “CODA” surprised everyone by winning the Oscar for Best Picture. Her film bested much-better nominees “The Power of the Dog,” and “Licorice Pizza.” Heder showed absolutely no personality or visual style in her direction — she played it completely straight, almost like a TV movie, but the result was a Best Picture win. Go figure.

← Fremaux on ‘Furiosa’ Cannes Premiere: “I Hope it Will Be At Cannes”Scott Derrickson Says ‘Barbie’ Deserves to Win Best Picture Oscar →

FOLLOW US!


Trending

Featured
IMG_0351.webp
Josh Safdie’s ‘Marty Supreme’ is One of the Best Films of the Year — Timothée Chalamet Has Never Been Better
IMG_0815.jpeg
Six-Minute Prologue of Christopher Nolan’s ‘The Odyssey’ Coming to Select IMAX 70mm Screenings December 12
IMG_0711.jpeg
James Cameron: Netflix Movies Shouldn’t Be Eligible for Oscars
IMG_0685.jpeg
Brady Corbet Confirms Untitled 4-Hour Western Will Be X-Rated, Shot in 70mm, Filming Next Summer

Critics Polls

Featured
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll
Capture.PNG
Critics Poll: ‘The Godfather’ Named Best Movie of the 1970s
public.jpeg
Critics Poll: ‘Do the Right Thing' Named Best Movie of the 1980s
World of Reel tagline.PNG
 

Content

Contribute

Hire me

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2025