Here what I’ve been told: Recently, a call went out for a caucasian actor in his early to mid 30s with the ability to sing, have moderate experience in playing the guitar and be fine with nudity.

Lynne Ramsay had a masterclass at the Sarajevo Film Festival and gave us some details on her upcoming projects.

Someone saw Sofia Coppola’s “Priscilla,” which I was told to not get my hopes too high for, and the reaction is utter disappointment:

Disney’s live-action remake of “Snow White” has been the victim of toxic word of mouth these last few weeks, and not a single frame of it has been even shown yet.

One of the hottest film festival tickets this year, at least in Europe, turns out to be Woody Allen’s “Coup de Chance.” Go figure. There’s still an audience for Allen’s movies. Telluride and Toronto wanted nothing to do with this movie.

Reinaldo Marcus Green’s “Bob Marley: One Love” will be released in theaters on January 12, 2024.

Zemeckis’ latest film, titled “Here,” stars Tom Hanks, Robin Wright and Paul Bettany and, much like everything he does these days, it’s steeped in the latest technological breakthrough.

With the exception of profitable endeavors such as “Barbie,” “Oppenheimer,” “Across the Spider-Verse,” “Talk to Me” and “Sound of Freedom,” it’s been a summer movie season of bombs.

A new Image from Harmony Korine's 'AGGRO DR1FT' has been unveiled by the New York Film Festival. So far, the marketing for this film has been one big WTF.

We can now also add “A Ghost Story” filmmaker David Lowery as a ‘Temple of Doom’ fan. He was asked by IndieWire to name his favorite films of the 1980s, ‘Doom’ was one the titles he submitted:

French master Leos Carax already shot his next movie. It’s called “C’est Pas Moi,” but it’s a semi-short film.

We’re hearing that Rose Glass’ “Love Lies Bleeding” will be released “early next year” with a possible launch at the Sundance Film Festival. Here’s the test reaction I gathered back in March:

At this past January’s Sundance Film Festival, halfway through a screening of Laura Moss’ “Birth/Rebirth,” the Rose Wagner theater had to be evacuated, with paramedics shortly arriving on the scene soon after.

On Tuesday, Bradley Cooper was facing backlash over his apparent use of a prosthetic nose in his depiction of legendary composer and conductor Leonard Bernstein in the upcoming movie, "Maestro."

A Deadline piece, titled “Inclusion In Movie Casting Has Seen Little Progress Since 2007” reads exactly as one might expect. The gist of it is that there’s been no inclusive progress in Hollywood, even though there clearly has been.

There was obviously going to be backlash against Antoine Fuqua’s upcoming Michael Jackson biopic. I would think the makers behind this upcoming film knew this in advance.

We’ve already covered the rampant rumors of Aaron Taylor-Johnson potentially being the next James Bond.

Here’s the NEON-released trailer for Justine Triet’s “Anatomy of a Fall.” It deservedly won the Palme d’Or last month at Cannes.

I’ve updated the last “What’s Missing” article. Even though “The Iron Claw,” “The Bikeriders,” “Dream Scenario,” “Strangers,” and “Foe” have release dates, there are still quite a few “orphaned” titles.

Many of us were surprised to see Garth Davis’s “Foe” show up in the New York Film Festival lineup this morning. Davis isn’t necessarily the type of filmmaker NYFF would select, but consider us intrigued.