I’ve updated the last “What’s Missing” article. Even though “The Iron Claw,” “The Bikeriders,” “Dream Scenario,” “Strangers,” and “Foe” have release dates, there are still quite a few “orphaned” titles.

Many of us were surprised to see Garth Davis’s “Foe” show up in the New York Film Festival lineup this morning. Davis isn’t necessarily the type of filmmaker NYFF would select, but consider us intrigued.

When I saw Tran Anh Hung’s “The Pot-au-Feu” at Cannes, I figured this deliciously sumptuous film would have a strong festival presence in the fall. Today, we learned that it’ll screen at NYFF and, probably, Telluride.

The New York Film Festival’s Spotlight lineup has been unveiled. There a few big surprises.

Jan de Bont, 79, has only directed five movies in his career, including “Speed” and “Twister.” He hasn’t helmed anything since 2003’s “Lara Croft: Cradle of Life.”

According to Daniel Richtman, before the strike, Oscar Isaac had been offered the male lead role in David Robert Mitchell’s dinosaur 80s dinosaur movie “Flowervale St.” Anne Hathaway is also set to star.

The embargo has now lifted on this latest DC movie and the reviews are mildly okay. A 62 on Metacritic, but a much friendlier 88% on Rotten Tomatoes.

Director Tom Six is the brains behind the “Human Centipede” trilogy. His latest film, “The Onania Club,” which is said to be a very uncomfortable watch, is having problems finding a distributor.

“Circus Maximus,” a secretly shot film, running 75 minutes long and starring Travis Scott, was released in select theaters last week.

It’s official, Bradley Cooper’s “Maestro” will be having its North American premiere at the New York Film Festival during the first week of October. This means no Telluride.

“Barbie” is still topping the box-office, having today surpassed “The Dark Knight” as Warner Bros’ highest grossing film. It’s a mass cultural event and it hasn’t shown signs of letting up.

The first short story, titled ‘Henry Sugar,’ is 37 minutes and will premiere at the Venice Film Festival.

We already know that most Netflix original movies stink. There’s almost no arguing that. I might make a recent exception for last month’s “They Cloned Tyrone,” which takes risks and doesn’t conform to mainstream tastes.

This is something I did not expect to wake up to. Bradley Cooper’s “Maestro” has already been hit with controversy.

A court in Iran has sentenced director Saeed Roustaee to six months in prison. His crime? Screening his film "Leila's Brothers" at the Cannes Film Festival last year.

Almost 10 Years on, J.C. Chandor’s “A Most Violent Year” remains one of the most underrated films of past decade.

According to a report from Variety, ‘Indiana Jones 5’ could lose upwards of $100 million. ‘Mission: Impossible 7’ might break even, but barely. Both had high budgets of around $300 million each, add in marketing costs, and that signifies potential losses for both parties.

We all want Francis Ford Coppola’s “Megalopolis” to turn out great. This could be the master’s final film, but, more importantly, one he’s been working on for more than 40 years.

It turns out that the only reason why the jury decided to switch it from von Trier to Malick was due to the infamous “Melancholia” press conference where von Trier made some rather dicey comments

When it was greenlit a year ago, Disney's live-action remake of “Snow White” had a problem, after some backlash, the inclusive studio did not want to use “dwarfs” in the the live action remake due to it being politically incorrect.