Ever since “Joy Ride” had its world premiere at SXSW in March, it’s had the kind of buzz that one should always be wary of.

Great news for Michael Mann. His $90 million. gamble “Ferrari” has been acquired by Neon for distribution.

Is it okay to include episode six of “The Bear” as one of the best films I’ve seen so far this year?

Two press screenings in Paris, at the Grand Rex and Cinemateque, are scheduled for the morning.

As it is being tipped to premiere at Venice next month, Luc Besson’s “Dogman” has released its first trailer.

I warned you that ”Barbie” first reactions will be populated by influencers, quote whores and people you’ve never heard of.

Ok, so here it is. A trailer for Ridley Scott’s “Napoleon.” What do you think?

Why has nobody reported on a 06.29.23 New York Times story that Jonathan Majors’ accuser might get arrested by the NYPD?

Eli Roth’s “Borderlands,” a video game adaptation, from a screenplay he co-wrote with Craig Mazin, has been in post-production for god knows how long.

Warner Bros must find it so amusing that they scheduled “Barbie” press screenings on the same date and time as “Oppenheimer.”

A source from Europe is telling me that Denis Villeneuve is going to be shooting an HBO mini-series “The Son” in the fall.

In 2003, Danny Boyle’s “28 Days Later” was released and kickstarted a revival of the zombie genre. Its cultural impact has been felt ever since.

Who wants to bet he comes out of retirement in a few years? Or, who knows. maybe he’ll pull a Malick and we won’t see him for the next 20 years, but I wouldn’t bet on that.

Patrick Wilson’s “Insidious: The Red Door” is set to open at the top of the box-office this weekend with a cumulative, and projected, total of $31 million.

One has to wonder why Christopher Nolan came to the decision that “Oppenheimer” would be his first R-rated movie in 20 years.

A trailer for Ridley Scott’s much-anticipated “Napoleon” is attached to IMAX copies of ‘Mission: Impossible — Dead Reckoning Part One.’

Here’s an interesting tidbit from Slash’s Ethan Coen article. It turns out “Drive-Away Dolls” was co-directed by Coen and writing partner Tricia Cooke, but don’t tell that to the DGA:

“Barbie” is ever so slowly being screened for press junkets. Actual press screenings are not supposed to happen until later next week.

Australian director David Michôd released “The King” on Netflix in late 2019. Ever since then? Radio silence.