Here’s Screen Daily’s spitballing of the upcoming Venice Film Festival. The lineup is set to be announced in July.

This summer movie season will be about Christopher Nolan’s “Oppenheimer,” Greta Gerwig’s “Barbie,” Christopher McQuarrie’s “Mission: Impossible — Dead Reckoning” and this one …

I’m not sure what James Bond producer Barbara Broccoli is concocting when it comes to her next 007 adventure, but it might involve Rebel Wilson.

As I mentioned a few days ago, after a much-buzzed Cannes premiere, the reviews for Wes Anderson’s “Asteroid City” wouls likely even-out to what will be a mixed response.

Production on David Cronenberg’s “The Shrouds” has begun in Toronto. It was originally set to start its in March, but casting issues resulted in minor delays.

I’m surprised to report that Tran Anh Hung‘s “The Pot au Feu” is richly satisfying. It’s one for the foodies, you can call it “food porn” if you’d like, but mixed with wonderful romance.

Despite his “Firebrand” garnering mixed reviews at Cannes, it sits at a rough 44% on Rotten Tomatoes, it appears that filmmaker Karim Aïnouz has already lined up his next film

I had not heard much about writer/director, and actor Julio Torres, but A24 and Tilda Swinton co-signed him for “Problemista,” his feature-length debut. Here’s today’s released trailer.

Last night, Marco Bellocchio’s “Kidnapped” screened, it’s a competition title, but will likely not win any awards on Saturday.

Has Longoria shown any ability to direct? She made one movie about Cheetos and now calls herself a director.

Victor Erice’s “Close Your Eyes” was one of the best films of this year’s Cannes lineup. In fact, people were puzzled by its absence from the main competition. What happened?

Sofia Coppola’s “Priscilla” is not screening at Cannes, now it’s actually rumoured to premiere at Venice.

Deadline’s reporting that bond companies are now refusing to insure movies ahead of a potential SAG strike on July 1.

Any fans of Kleber Mendonça Filho? The Brazilian filmmaker is planning to shoot a new film in Brazil, set in the ‘70s, with actor Wagner Moura.

There were boos at my screening of Jessica Hausner’s “Club Zero,” but, this time, for good reason. This is a film that tries to shock you but fails miserably.

Is NEON going to win a fourth straight Palme d’Or? They just bought Justine Triet’s mesmerizing “Anatomy of a Fall,” the film many are predicting to win the Palme on Saturday.

Before Cannes, Todd Haynes’ “May/December” had no U.S. distribution. After seeing the film, I understood why.

HBO decided it was a wise decision to screen Sam Levinson’s “The Idol” at Cannes. It turns out they were right.

We are day 8. There are still four days left here at Cannes, and plenty of movies left to be seen.