American audiences must be enjoying S. Craig Zahler’s “Dragged Across Concrete,” it wouldn’t be #1 on Netflix if they weren’t.

I gather many of our readers, from many countries, all over the world, had a chance to watch “John Wick: Chapter 4” this weekend.

Now, I just feel bad for Zachary Levi whose ‘Shazam’ sequel is tanking hard at the box-office. To the point where he’s practically begging people to watch it over ‘John Wick 4.’

On Thursday, I emailed around to try and figure out what was going on with Jonathan Glazer’s “The Zone of Interest.” It’s been highly anticipated for a few years now, his first since 2013’s “Under the Skin.”

I’ve been very big on Jonathan Majors’ acting talents — even banging the drums hard for his “Magazine Dreams” performance, which is very much Oscar-worthy.

For months I was under the impression that Yorgos Lanthimos’ “Poor Things” was going to Cannes, and it probably will, but a Deadline piece by Andreas Wiseman certainly raised a few eyebrows yesterday.

Is it just me or are movies getting longer these days? It seems to be an unwritten rule, for many moviegoers, that a film should be anywhere between 90 to 120 minutes.

Todd Phillips, Last Gaga and Joaquin Phoenix are currently shooting “Joker: Folie à Deux” in Los Angeles until April. Some photos and videos had leaked online in previous weeks.

Searchlight Pictures has some high hopes for Elijah Bynum‘s “Magazine Dreams”. It’s officially dated the film for a December 8th, 2023 release date. 

There’s been a lot of talk about the length of “John Wick: Chapter 4” — it’s 2 hours and 49 minutes. Just 6 minutes shy of “The Godfather.”

I saw William Oldroyd’s “Eileen” at this past January’s Sundance Film Festival. Although it felt slight at the time, but nevertheless intriguing, it’s stayed with me in the months since.

It’s “John Wick: Chapter 4” weekend and it looks like its $9.5M in Thursday previews and strong word of mouth will catapult it to the top of this weekend’s box-office.

Love him or hate him, Denis Villeneuve’s filmography is building up as one of the most versatile in the business.

One of the biggest snubs of this past year’s Oscar nominations was the ignoring of Mia Goth’s wonderful performance in “Pearl.”

“RRR” superfan Adam McKay is allegedly pitching an allegorical dramedy to studios, according to Puck’s Matt Belloni.

You don’t mess with greatness. You just don’t. Gus Van Sant learned that the hard way with his 1998 remake of “Psycho.”

Jeff Snieder has been on a roll when it comes to intel of late. He’s been breaking stories left and right only for the trades to break them a day later.

As far back as 1999, Fincher passed on the chance to direct a Spider-Man movie, and then he further had conversations about it in the aughts, but, again, backed out.