It’s no secret that movie theaters are currently in a desperate predicament. So, the need for AMC theaters to be introducing three different seat-pricing options has been met with backlash.

I would mostly agree with Steven Soderbergh’s assessment that movies aren’t as culturally relevant as they were a few decades ago, but I find the advent of streaming only really kicked the irrelevance up a notch in the early 2010s

I mean, honestly, does anyone actually believe Gina Prince-Bythewood is a great filmmaker? The nonsense narrative when it comes to the lack of inclusion in this year’s Best Director and Best Actress race is getting tiresome.

I won’t miss “Magic Mike’s Last Dance,” which I’m set to watch a morning press screening tomorrow. I’m a Steven Soderbergh fan (and completist) but these early reviews are concerning.

17-year-old Kane Parsons hit the jackpot. The YouTube director of short films has been hired by A24 to helm a feature-length version of his mysterious short “The Backrooms.”

Consider me surprised that reshoots for Rose Glass and A24’s “Love Lies Bleeding” have been underway for a few days now in New Mexico. That’s news to me.

It’s always a joy to watch the Criterion Closet’s segments on YouTube. The latest one has “Everything Everywhere All At Once” filmmakers Daniel Scheinert and Daniel Kwan showing up to pick their favorites.

While Damien Chazelle’s “Babylon” bombed stateside, in France it’s just surpassed 1 million tickets sold.

Much like it’s wintry counterpart, Sundance, the Berlin Film Festival is such an unpredictable festival.

During the weekend, I sent a mass email to hundreds of Oscar voters, members of the Academy, asking them to pick the one film they would vote for Best Picture.

80-year-old Harrison Ford had confirmed that “Indiana Jones and the Dial of Destiny,” will be the fifth and final time he plays the titular hero.

There was obviously going to be backlash against Antoine Fuqua’s upcoming Michael Jackson biopic. I would think the makers behind this upcoming new film knew that in advance.

I’ve only seen the first episode of HBO’s “The Last of Us,” a cultural phenomenon that has had millions of Americans hooked to its every scene.

Australian director Justin Kurzel is hit and miss for me, I loved “Nitram” and “Snowtown,” but was no fan of 2019’s “True History Of The Kelly Gang,” and his “MacBeth.” Don’t even ask about his adaptation of “Assassin’s Creed.”

A Premiere Magazine preview of potential Cannes titles basically rehashes the recent Le Film Français article, but with some intriguing new details.

The 43rd annual London Critics’ Circle Film Awards knighted Todd Field’s “TÁR” as the Best Film of 2022. A justly merited honor.

A trending Flickering Myth article makes the case that “It’s Long Overdue to Hail M. Night Shyamalan as One of the Great Filmmakers.” Hard disagree.

M. Night Shyamalan’s “Knock at the Cabin” has dethroned James Cameron at the box-office this weekend, it made a lukewarm $14.2 million, becoming the first film to unseat “Avatar: The Way of Water.”

Vulture and New York Times contributor Sean L. Malin had reported in January that Jonathan Glazer’s “The Zone of Interest” was being tipped to premiere at the Cannes Film Festival next May.

In a few weeks, after incredible critical acclaim in Europe, Albert Serra’s “Pacifiction” will finally be released in the US. This is the film that really caused a stir at Cannes last year, it shook up the competition and showed the other films how it’s done.