Christina Newland’s sparring match, err, interview with Andrew Dominik about “Blonde” is umm … interesting. It’s clearly a film Newland detested. At moments, she decides to interview Dominik for debate.

Yesterday’s “Napoleon” news came with a nicely added update I received on “Killers of the Flower Moon.” Supposedly, the film is much more ready than “Napoleon.”

Lainey has a very damning article about the whole “Don’t Worry Darling” drama, which claims to have spoken to three crew members of the film.

This goes along well with what I had reported since July, which is when Maria Schrader’s film test-screened in New Jersey.

The Ankler’s Tatiana Spiegel surprised many with her latest report this early afternoon.

It will be very interesting to see if there is an audience for Nicolas Stoller’s “Bros” this coming weekend. You know the drill: critics will definitely be pushing it …

Here’s an interesting topic. Do you just nullify “The Cosby Show” from history? That’s what Rolling Stone has just done with their “updated” list of the 100 Greatest TV Shows of All-Time.

I seemed to have missed the release of the trailer for M Night Shyamalan’s “Knock at the Cabin.” It’s amassed 10 million views on YouTube in just four days.

The LA Times’ Glenn Whipp has already planted the flag, so to speak, in support of Mia Goth’s “Pearl” performance.

Not a total shock, but Italy has selected Mario Martone’s “Nostalgia” as their Oscar submission for Best International Film.

James Cameron’s “Avatar” was back in theaters this weekend. Yes, 13 years after its initial release, Cameron decided to freshen up people’s memories.

This coming Wednesday, Andrew Dominik’s “Blonde” will be available to stream in Netflix.

Last week, when I wrote my thoughts on Zach Cregger’s “Barbarian.” I mentioned how it was a fairly smart, darkly humorous, and sometimes horrific ride.

Sean Durkin is coming off two above-average films, “Martha Marcy May Marlene” and “The Nest,” and he’s hoping to continue that streak with his next one.

The Greatest Beer Run Ever’s Toronto International Film Festival debut went so poorly, critically-speaking, that Apple’s plan to release Peter Farrelly’s film theatrically on 09.30.22 was, without notice, moved up to this past Friday.

Romain Gavras’ “Athena” is now available to stream on Netflix. It premiered in Venice competition just a few weeks ago.

In a recent post, I had the assumption that the late Jean-Luc Godard basically hated most 21st century films and filmmakers. I had never really heard him praising anything from this era.

It is now official. According to a person I spoke to from A24, Kelly Reichardt’s “Showing Up” will be released in the Spring of 2023.

If “The Woman King” is the resounding box-office success most prognosticators claim it to be, then why is its second weekend gross so weak?

A New York Film Festival press screening occurred earlier for Chinonye Chukwu’s “Till.”