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Marvel’s ‘X-Men’ Reboot Casts Asa Germann as Angel

Marvel's X-Men reboot keeps stacking bodies. Asa Germann — familiar to anyone who watched “Gen V” or sat through “Scream 7 “— is reportedly closing a deal to play Warren Worthington III, better known as Angel.

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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‘NAZA' Storms Venice With Record-Setting 25-Minute Standing Ovation, Emerges as Golden Lion Contender

“Naza,” a politically charged doc, has taken over the Lido. The film, a late addition to the Venice lineup, is drawing raves and looks like a clear Golden Lion contender.

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Destin Daniel Cretton Follows the Biggest Movie Ever with… a ‘Hawaii Five-O' Reboot

Fresh off "Spider-Man: Brand New Day," Destin Daniel Cretton is in talks to direct a "Hawaii Five-O" movie for Paramount. The studio has already hired Chris Bremner, who wrote "Bad Boys for Life," to handle the script.

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Nathan Fielder's Elizabeth Holmes Doc ‘You Can See Everything’ Sets NYFF Premiere, October 16 Release via A24

“You Can See Everything” has been added the 64th New York Film Festival, set to debut on Wednesday, September 30 at Alice Tully Hall. Furthermore, A24 has also set an October 16 theatrical release for the film.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Vanity Fair and the Latest Hit-Piece on Andrea Riseborough

January 31, 2023 Jordan Ruimy

They have her emails! Oh no, the crimes, all the crimes. No, but seriously, this is getting ridiculous.

Andrea Riseborough got Oscar-nominated for this tiny little movie that made $23,000 at the box-office and now the big Hollywood studio machinery is going full blast to shame her and make her feel embarrassed that the tremendous work she delivered in “To Leslie” was illegitimately nominated.

It seems like every day a new hit-piece shows up in the mainstream media, the lapdogs of these big studios who felt cheated by this nomination. The latest one is courtesy of Vanity Fair who show these flimsy emails as proof that the Riseborough campaign did something wrong.

VF is singling out Riseborough’s “well-connected” manager, Jason Weinberg, and Mary McCormack, a veteran TV actor and the “To Leslie” director’s wife. McCormack’s crimes against humanity were that she reached out to actors and other contacts since December, inviting them to official screenings or to watch the film on the Academy’s website. The horror!

“We think you will love it,” McCormack wrote in an email sent in early January. “Other than how proud I am of my husband Michael, we feel so strongly about beautiful films being seen whether or not they have millions and millions to spend on publicity. Films like TO LESLIE are important for the future of film making, so we want to support it and get the word out especially because we know that it doesn’t have the financial means for marketing. In a sea of multi-multi-million dollar award campaigns it is almost impossible for a small independent film like TO LESLIE to break through.

The event was said to be “low-key” and small, centered on a Q&A with Morris and some of the film’s talent. McCormack isn’t even an Academy member, so what’s the big deal here?

There is no smoking gun here. The backers of this small little movie did not go against the grain of fairness. The “To Leslie” campaign decided to do what everyone else does during awards season.

As I mentioned yesterday, all this is doing is turning Riseborough into a stronger contender. She’s getting more press, more attention, and an incentive for people to go see her film. Voting for Riseborough is a vote against the machinery of awards season. Voting for Riseborough is the same as voters giving the middle finger to all the haters in 2019 by marking on their ballot “Green Book”.

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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