I am an unabashed Coen-head. I love them. They are the best American filmmakers of the last 30 years. I’m not even exaggerating. I’ll just name the classics: “Fargo,” “Barton Fink,” “The Big Lebowski,” “No Country For Old Men.” Ok, fine, the semi-classics are “Inside Llewyn Davis,” “A Serious Man,” “Miller’ Crossing,” and “Raising Arizona,” “Burn After Reading.” Then there’s just the plain great movies: “O Brother Where Art Thou,” “The Man Who Wasn’t There,” “Burn After Reading,” and “Blood Simple.”
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Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.
"Minotaur" won the Grand Prix at Cannes. A two-time Oscar nominee who already has the Golden Lion for "The Return," Best Screenplay at Cannes for "Leviathan," and the Jury Prize in 2017 for "Loveless.
Netflix and Skydance Animation have also called it quits. The two sides announced Monday that they're ending the animated film deal struck back in 2023, framing it as a mutual decision.
Edward Berger seems to have settled on what comes next. His Lance Armstrong biopic, starring Austin Butler, is now holding casting calls, with production eyed for January.
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This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.
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Still no distributor for "Bucking Fastard," "Alpha Gang," "The Last Photograph," "Closing Night," and "The Life and Deaths of Wilson Shedd." The issue seems to be quality more than a lack of willingness to buy.