Alfonso Cuaron‘s “Roma,” shot in black and white by Cuaron himself, is always going to be on Netflix for a rewatch, not just that, but in pristine 4 to boot. Of course, the recently released Criterion Bluray version, which I own but have yet to watch, must be of even higher quality. I’m not here to compare and contrast both of these versions, but wouldn’t it be great if we could also get a “color version” of Cuaron’s film?
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Quentin Tarantino has released ten films, but which one is his masterpiece? A critics’ poll I started back in 2024, and left sitting in my drafts ever since, is currently deadlocked between two films.