I approve 8 of the 9 shortlisted film's vying for the foreign film Oscar. I don't particularly like the German entry, but the rest are well-deserved:
Pawel Pawlikowski‘s "Cold War" (Poland), Cristina Gallego and Ciro Guerra‘s "Birds of Passage" (Columbia), Gustav Moller‘s "The Guilty" (Denmark), Florian_Henckel von Donnersmarck "Never Look Away" (Germany), Hirokazu Kore-eda‘s "Shoplifters" (Japan), Nadine Labaki‘s "Capernaum" (Lebanon), Alfonso Cuaron‘s "Roma" (Mexico), Sergey Dvortsevoy‘s "Ayka" (Kazakhstan) and Lee Chang-dong‘s "Burning" (South Korea).
However, what happened to Lukas Dhont‘s "Girl" (Netflix). It won Un Certain Regard's performance award and the Camera d’Or as well. How about Italian director Matteo Garrone’s “Dogman,” a film which will surely be on my top ten list in 2019. How about Ali Abbasi “Border” (Neon), a gender-bending Swedish entry which wowed critics at Cannes and all but cemented itself as a hybrid groundbreaker.
Marvel's "Ghost Rider" just hired one of the best cinematographers working today. Linus Sandgren will serve as DP on Shawn Levy's MCU flick, and, most notably, the project will be shot on film.