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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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‘Minotaur' Trailer: Andrey Zvyagintsev's Cannes Grand Prix Winner Gets November Release from MUBI

"Minotaur" won the Grand Prix at Cannes. A two-time Oscar nominee who already has the Golden Lion for "The Return," Best Screenplay at Cannes for "Leviathan," and the Jury Prize in 2017 for "Loveless.

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‘Cosmic Motors,' John Lasseter's First Film in 15 Years, Moves from Netflix to Paramount Theatrical Release

Netflix and Skydance Animation have also called it quits. The two sides announced Monday that they're ending the animated film deal struck back in 2023, framing it as a mutual decision.

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Edward Berger’s Lance Armstrong Biopic, Starring Austin Butler, Starts Production in January

Edward Berger seems to have settled on what comes next. His Lance Armstrong biopic, starring Austin Butler, is now holding casting calls, with production eyed for January.

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Ramin Bahrani’s ‘Last Meals’ to Star Mads Mikkelsen, Boyd Holbrook, Michael Shannon, and Tessa Thompson

In "Last Meals," Mikkelsen stars as Walter Karat, a disgraced former White House chef now preparing final meals for death row inmates at a maximum security prison.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Cate Blanchett: “If ‘Carol’ Was Made Now, Me Not Being Gay — Would I Be Given Public Permission to Play That Role?”

February 14, 2023 Jordan Ruimy

Cate Blanchett has won my heart many times over the years, in films such as “TÁR,” “The Aviator,” “Blue Jasmine,” and “I’m Not There.” However, it’s her work in Todd Haynes’ masterful “Carol” that keeps coming back to me.

In “Carol,” Blanchett plays a repressed woman who falls hard for aspiring photographer Therese (Rooney Mara). Their guest meeting at a 1950s Manhattan department store still haunts to this day. The two women develop a bond that results in a heart-wrenching road trip with complicated consequences.

Now Blanchett might potentially win her third Oscar for “TÁR” and she’s been campaigning hard these last few months for that to happen. In an upcoming Vanity Fair piece, Blanchett gets candid about the identity politics rumagging through the industry today:

“I don’t think about my gender or my sexuality […] For me in school, it was David Bowie, it was Annie Lennox. There’s always been that sort of gender fluidity.”

Though the two-time Oscar winner goes on to admit that she doesn’t really get today’s “obsession with labels,” but she does seriously consider them. “I have to really listen very hard when people have an issue with it,” she said, referring to her portrayals of lesbian women in Carol and Tár.

“I just don’t understand the language they’re speaking, and I need to understand it because you can’t dismiss the obsession with those labels — behind the obsession is something really important.”

“If [Carol] was made now, me not being gay — would I be given public permission to play that role? I don’t know the answer to that.”

Blanchett goes on to defend Scarlett Johannson and the “Ghost in the Shell” controversy she faced after being cast in a role that was originally meant for an Asian actress.

I'm pretty sure the majority of the Academy agrees with her, they just can’t afford to say it. The whole notion that cancel culture is bad and doesn’t allow artists to play any role they want is a sentiment echoed by many in Hollywood, they just can’t utter it for fear of retribution. Props to Blanchett for having the courage to do so.

← The Safdie Brothers’ Upcoming Adam Sandler Film Begins Filming This AprilSteven Spielberg Tells Tom Cruise, ‘Maverick’ Saved the Entire Industry. You Saved Hollywood’s Ass” →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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