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Ken Russell’s ‘The Devils’ Gets NC-17 Rating for Uncut 4K Restoration Coming to Theaters

Clockwork announced that “The Devils” has been rated NC-17 by the MPA, which, as far as I’m concerned, is basically free marketing. Much of the audience anticipating this release was hoping for this rating.

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First Look: Andrew Haigh’s ‘A Long Winter’ to Screen at Telluride, TIFF and NYFF — Follow-Up to ‘All of Us Strangers’

For Haigh, the film feels like an “endpoint” in his career so far. Shot on film with DP André Turpin, “A Long Winter” was filmed in the Calgary wilderness, the same area used for “The Revenant.”

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Jacob Elordi Joins Ari Aster’s ‘Scapegoat’ Opposite Scarlett Johansson at A24

Jacob Elordi is set to co-star opposite Scarlett Johansson in “Scapegoat,” the upcoming thriller from Ari Aster, who is directing from his own script. A24, which has released his past four films, will distribute.

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Alfonso Cuarón Returns to TV With Horror Thriller ‘Ascension’ at Apple — Hasn’t Directed A Movie in Eight Years

The good news is that Cuarón is only writing “Ascension,” meaning he won’t be tied up with directing duties and should still have room in his schedule for a long-awaited return to cinema.

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LOL: ‘Magic Mike XXL’ Named Greatest Sequel of All-Time by IndieWire

Cue the ragebait — which is precisely what IndieWire intended when putting together their list of the 100 Best Sequels Ever Made, published this morning.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Run Hide Fight: Infidels’: Jonathan Majors’ Comeback Vehicle Tackles Pro-Palestine Islamic Terrorists

June 25, 2026 Jordan Ruimy

Back in March, it was announced that Jonathan Majors was set to film his “comeback vehicle” — an untitled action movie backed by Ben Shapiro’s The Daily Wire.

Yes, this is the same movie where Majors and co-star JC Kilcoyne accidentally fell through a window during filming in South Carolina. The incident became a flashpoint for crew complaints about alleged unsafe working conditions, which reportedly included falling props, inadequate safety meetings, and concerns about mold and possible asbestos exposure. More than half the crew allegedly went on strike over safety and labor concerns.

Well, things have gotten more interesting in regard to this film. If Armie Hammer recently decided that the best comeback vehicle for him was an anti-Islamic rape-gang movie directed by Uwe Boll, then Majors’ comeback vehicle isn’t far off from that vibe either.

According to Page Six Hollywood, “liberal heads will explode” once they hear what this $5M movie is about. The film was originally described as featuring “American warriors rising with unbreakable grit and unrelenting firepower to defend the homeland when threats strike at its heart.”

It’s a little more complicated than that.

The film, titled “Run Hide Fight: Infidels,” is actually about “radical Islamic terrorists” who surround a liberal college’s pro-Palestine encampment to enforce “barbaric Sharia law” on students and execute infidels. The heroes? A ragtag band of red-blooded students, a security guard tired of “Uncle Tom” smears, and a Delta Force vet (Majors). They all must “arm up” to save their clueless peers and keep America from surrendering to the enemy on its own soil.

The film’s trailer (which you can watch here) is clearly designed to amplify today’s culture wars and the divisions surrounding Israel-Gaza.

It begins with a rapid-fire montage of terror footage, from a 9/11 jet piercing the World Trade Center to an ISIS beheading, as well as college campus unrest and footage of Secretary of State Marco Rubio(!). It ends on the quad of a sleepy Virginia campus as the call to prayer rings out and an ISIS flag billows atop a pole. The students (terrorists?) stop what they’re doing, drop a prayer mat and orient themselves toward Mecca. The trailer cuts to the tagline: “Coming soon… Or already here.” We’re guessing this is a dry campus.

The film’s producer, Dallas Sonnier, didn’t hold back when asked by Page Six what he hoped to accomplish with the film.

Sonnier said: “The woke mind virus has captured Hollywood for the past 12 years, and while woke is winding down, there is a new obsession with the anti-Israel, pro-Palestine movement that deserves to be mocked in a movie again.”

He added: “If you’re afraid to put radical jihadis as your villains, then you’re a wimpy movie producer. We don’t have that fear.”

“Run Hide Fight: Infidels,” directed by Kyle Rankin, will launch on The Daily Wire’s streaming platform this fall.

← Zach Cregger’s ‘Barbarian’ Finally Gets Long-Awaited 4K Physical Media Release After Years of Fan DemandThe Oscar Campaign for Tom Cruise Has Officially Begun →

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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