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Meghan Markle Dropped From Guy Ritchie’s ‘The Gentlemen’ Just 24 Hours After Casting Reports

Not more than 24 hours later, Guy Ritchie’s role offer to Markle has now reportedly been withdrawn. The story goes that they don’t want her in the show anymore “after intense backlash in the U.K.”

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‘Teenage Sex and Death at Camp Miasma’ Eyes $1.3M Weekend in Wide Expansion — Post Your Review!

Now that “Camp Miasma” has reached a wider rollout, what did our readers think of the film? Does it deserve all the raves it’s been getting? I’ll give it a rewatch soon, but for now, I’m in the mixed camp.

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‘National Treasure 3’ Is Finally Happening, 20 Years Since Last One — Nicolas Cage Will Return

The sequel will arrive more than 20 years after the original and nearly two decades after “National Treasure: Book of Secrets,” with Turteltaub returning to direct.

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‘Cliffhanger’ Reboot Sets February 24, 2027 Release

That $100M budget is a steep investment for a movie without conventional A-list headliners — unless Lily James and Pierce Brosnan fit that description for you.

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Mark Ruffalo Accuses Ellisons of “Genocide,” Paramount Calls Remarks “Antisemitic”

Something tells me Mark Ruffalo won’t be starring in a Paramount movie again anytime soon. Ruffalo is now accusing the Ellison family of complicity in “genocide,” escalating his already fierce merger opposition.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Cannes Chief Praises James Gray’s ‘Paper Tiger’ as “Wonderful,” Still Seeking “Resolution” to Include It

April 9, 2026 Jordan Ruimy

The most striking absence from this morning’s Cannes lineup has got to be James Gray’s “Paper Tiger,” which back in March, Variety had reported was submitted to the festival. Is this all just a stunt to build up more excitement for Gray’s movie? That’s what a few skeptics have theorized to me this morning.

Regardless, Cannes boss Thierry Frémaux has now addressed speculation about whether Gray could bring his new film to Cannes, offering cautious optimism.

The Cannes chief tells Variety that he has already seen the film and praised it highly, describing it as “a wonderful film — a very James Gray film, very indie.” He added that it reflects the director’s earliest sensibilities, comparing it to “Little Odessa” and emphasizing that Gray “has never stopped being himself.”

Frémaux also acknowledged the challenges behind the project’s production, noting that the film was “complicated to put together.” He emphasized that, for Gray, filmmaking is rarely straightforward, explaining that “to do his work as a filmmaker, he doesn’t just snap his fingers — films have to be put together.” The comments suggest that while the artistic side is complete, logistical hurdles remain — what they are? We’re not entirely sure.

According to Frémaux, the only obstacle preventing an announcement is unresolved contractual matters. “There are still some contractual issues to resolve. I hope they’ll be settled very soon and that we’ll be able to announce the film,” he said.

If those details are finalized in time, Gray’s return to Cannes could mark one of the more anticipated auteur-driven premieres of the lineup. Gray, who is beloved in France, has premiered five films at Cannes, including “Armageddon Time,” “The Immigrant,” “Two Lovers,” “We Own the Night,” and “The Yards.” He was also on the Cannes jury in 2009.

“Paper Tiger” stars Scarlett Johansson, Miles Teller, and Adam Driver; the plot centers on two brothers chasing the American Dream, only to become ensnared in a seemingly perfect scheme that unravels into a nightmare. As their world collapses into violence and corruption, their family finds itself under threat from the Russian “Mafiya,” pushing their bonds to the breaking point.

If I had to bet, given Frémaux’s openly enthusiastic praise for the film and his clear desire to include it in the lineup, it will likely be added to the Competition very soon.

← FIRST LOOK: Lukas Dhont’s WWI-Set ‘Coward’ Eyes Cannes DebutNetflix Unveils First Images of Brad Bird’s ‘Ray Gunn’ With Sam Rockwell, Scarlett Johansson and Tom Waits Leading Cast →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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