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‘The Social Reckoning’ Trailer: Jeremy Strong Has Zuckerberg Down, But Can Sorkin Escape Fincher’s Shadow?

A new trailer for Aaron Sorkin’s “The Social Reckoning” has dropped online. I believe this is the same one I saw recently in theaters. Regardless, I’m still not sold on this thing.

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‘The Uprising’ Drops ‘Robin Hood’ Title After Chaotic 24 Hours

Focus is back to just calling the film “The Uprising” in the new trailer, while the UK distributor is outright denying that it’s a Robin Hood movie.

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Zach Cregger’s ‘Resident Evil’ Rated R for “Strong Bloody Violence,” Uses First-Person POV to Recreate the Game

“Resident Evil” appears to be embracing first-person gameplay, with the film reportedly using the perspective across several action and horror sequences rather than as a one-off gimmick.

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Chris Hansen Buys Ads Before Every Screening of ‘Primetime’

Moviegoers heading out to see the Robert Pattinson-starring A24 movie, based on Hansen, the “To Catch a Predator” host, will apparently be greeted by Hansen himself on-screen.

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Joe Carnahan Sets Next Film ‘The Operator’ With Mark Wahlberg at Netflix

Joe Carnahan, director of the Netflix hit “The RIP,” a Quentin Tarantino favorite, has set his next film, reteaming with the streamer on another action thriller, “The Operator,” starring Mark Wahlberg.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Chloe Domont’s ‘A Place in Hell’ Sets December 25 Release at Neon

April 13, 2026 Jordan Ruimy

This is a sign of confidence.

Back in 2023, Netflix had a chart-topping hit with Chloe Domont’s “Fair Play,” starring Alden Ehrenreich and Phoebe Dynevor, an erotic Wall Street thriller that premiered at Sundance to raves but was soon picked up by the streamer for $20M.

Domont’s latest, titled “A Place in Hell,” set up at Neon and starring Michelle Williams, Andrew Scott, and Daisy Edgar-Jones, has just been dated for a December 25, 2026 release.

This sets up a potential awards-season run for Domont’s film, which could very well show up at the fall fests in September, although premiering this one four months before release might deter Neon from doing that.

Described as a thriller, the film has been testing very well. The consensus? Michelle Williams steals the show with a fiery, and fully villainous performance, playing a protagonist who pushes the audience’s sympathy to its limits. The film’s tone is a blend of “Gone Girl” and “Nightcrawler,” leaning into dark, morally ambiguous territory. Daisy Edgar-Jones also delivers a strong performance — especially in one intense scene with Williams that’s particularly unsettling and memorable.

Synopsis: “A cutthroat criminal defense attorney (Williams), on the verge of making partner, sees her ambitions upended when a younger lawyer (Edgar-Jones) is brought in to replace her. As rivalry escalates into a battle for control, the two women push one another to dangerous extremes.”

Neon, which mostly acquires films at prestige festivals, has only a handful of self-financed titles hitting theaters this year. Domont’s film was actually picked up not long after production had wrapped. Not counting all of their Sundance and Cannes acquisitions, Neon also has Boots Riley’s “I Love Boosters,” Chloe Okuno’s “Brides,” Osgood Perkins’ “The Young People,” amd Damian McCarthy’s “Hokum” set to hit theaters in 2026.

← Richard Kelly Claims He’s Directing A New Movie “Very Soon”‘Sunrise on the Reaping’ Trailer: The Hunger Games Returns for a Familiar, Bloodier Prequel →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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