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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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David Krumholtz Quits Acting, Says He’s “Frustrated, Fed Up, Fried” After Decades in Hollywood

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Tom Holland to Make Over $100M as ‘Spider-Man: Brand New Day’ Tops $800M Domestic, $2B Worldwide in 19 Days

Remember when Holland publicly stated, “maybe I’m done with Spider-Man”? Yeah, I’m convinced that was a negotiating strategy. He now has extraordinary leverage with Sony.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Asghar Farhadi Is Returning to Farsi for His Next Film, But Won’t Shoot in Iran

Farhadi’s latest film, “Parallel Tales,” which got trounced by critics at Cannes and still has no U.S. distributor, starred Isabelle Huppert, Virginie Efira and Vincent Cassel.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Ted Sarandos Says Warner Bros. Films Would Hit VOD After a 45-Day Theatrical Window

February 18, 2026 Jordan Ruimy

It says a lot that Netflix co-CEO Ted Sarandos keeps accepting interviews, while Paramount/Skydance chief David Ellison has refused to do a single live chat since this whole Netflix–Warner Bros.–Paramount saga began.

Of course, Sarandos’ attempt at full charm-offensive mode is a final push to convince Hollywood (and regulators) that Netflix buying Warner Bros. would somehow be good for the theatrical ecosystem, rather than the final nail in its coffin. Some believe him; others don’t. It really depends on who you ask — if you ask me, the ideal outcome would be that Warner Bros. isn’t sold to anyone and simply remains intact.

Just a few weeks ago, Sarandos told The New York Times that if Netflix were to acquire Warners., the plan would be to preserve a 45-day theatrical window. This is notable considering that in 2023 he publicly — and infamously — dismissed the theatrical experience as “an outmoded idea.”

Many in the industry wondered whether Sarandos’ promised “45-day window” actually meant something meaningful — or whether it was theatrical windowing in name only. Or worse, dumping titles on streaming. Would these films even hit premium VOD immediately after theaters?

On the latest episode of The Town, which just dropped this evening, Sarandos is grilled by host Matt Belloni and is even asked directly about Netflix’s true intentions if the deal is finalized.

According to Sarandos, “when this deal happens we’ll be in the theatrical business.” Not just that, he promises that a Netflix-owned Warner Bros. release plan would give every title 45 days of theatrical exclusivity, followed by a digital/VOD release, and only later a streaming debut on HBO Max.

It’ll go from theaters — 45 days — to PVOD to HBO Max [..] We’re buying a business model and not looking to kill it.

My question to readers is simple: after all the promises you’ve heard Sarandos make about his newfound commitment to theatrical — and taking into account his very public, very recent anti-theatrical comments — do you believe him?

Is this a genuine philosophical shift on the part of Sarandos? Or is this simply the language Netflix needs to speak until the deal is done?

← Adam Wingard Exits ‘Face/Off 2’ — Paramount Looking For New DirectorShia LaBeouf Breaks Silence After Arrest: “Free Me” →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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