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‘The Batman Part II’ Filming “Extended” Into 2027 as Steven Soderbergh’s Role Expands

Remember when DC Studios told us Steven Soderbergh was coming in for "the final weeks of principal photography" on "The Batman Part II"? Yeah, now it's months.

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Anthony Mackie Says His Sam Wilson “Deserves" a ‘Captain America' Trilogy

"I think every character deserves a second film," Mackie said. "I think with Cap, it's been proven every character deserves three films, right? I mean, if you're Thor, you get four, apparently."

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Fincher's ‘Cliff Booth' Screens in L.A.: “Tarantino on Speed," and Elizabeth Debicki Steals the Show

A source over at HE calls it "a violent madcap comedy that plays like a love letter to Los Angeles of the late '70s" and described the era as "ten years after, post Star Wars, creeping disco and even creepier corporatism."

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Danny Boyle on ‘28 Years Later: Part III': “We Gotta Raise the Money for It"

Garland's script is written. Boyle called it "fantastic" in that same interview, Murphy says he's ready, and Boyle wants to direct. All that's missing is the money.

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Noah Baumbach's ‘Jay Kelly' Joins Criterion Collection; February Slate Includes ‘The Sweet Hereafter,’ and ‘Kung Fu Hustle’

Noah Baumbach's “Jay Kelly” is joining the Criterion Collection on February 16, 2027. It's one of the headliners of the newly announced February slate, and it's coming out barely a year after Netflix released it.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

World of Reel

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Did Vincent Gallo Direct ‘Golden State Killer’ Under Pseudonym? James Franco Co-Stars, 2026 Release Eyed

February 17, 2026 Jordan Ruimy

And what about Vincent Gallo? A filmmaker who helmed 1998’s delightful “Buffalo ‘66,” and then shocked Cannes in 2003 with “The Brown Bunny,” a film Roger Ebert famously called the worst in the history of the festival. Gallo retaliated by calling Ebert a “fat pig” and even cursed him with “colon cancer.” Ebert responded with his trademark wit, saying, “I am fat, but one day I will be thin, and you will still be the director of The Brown Bunny.”

Gallo has built a reputation not just for his avant-garde films, but for his outrageous behavior and inflammatory statements. He once put his sperm up for sale on his personal website for $1 million, offering a discount to “anyone with blonde hair and blue eyes,” sparking widespread backlash.

Regardless, Gallo, once an auteur provocateur, has in all likelihood been effectively “canceled” in Hollywood. His career has been marked by feuds, controversies on and off set, and accusations of inappropriate behavior, which have made studios and collaborators wary of working with him. As a result, he hasn’t directed a widely released film since “The Brown Bunny,” although he did premiere the experimental “Promises Written in Water” in 2010 at Venice, which never found a distributor.

Now, in what feels like one of the oddest projects in recent memory, Gallo and James Franco shot a film in late 2023 titled “Golden State Killer,” which has been quietly moving through post‑production and could land on screens sometime in 2026. In the film, Franco slips into the role of a detective chasing down real-life serial killer James DeAngelo, while Gallo is set to portray the killer himself.

However, the real mystery isn’t the crime — it’s who directed the damn thing. The current credit belongs to a name nobody in the industry seems to recognize: Vito Brown. Some are now pointing out that “Vito Brown” could very well be a pseudonym for Gallo himself — a theory fueled by the fact that he has used “Brown”-style names in past credits and starred in films with similar monikers.

Furthermore, back in early 2024, multiple actresses reportedly filed complaints with SAG‑AFTRA alleging that Gallo made sexually explicit and inappropriate comments during auditions for the film, which was then still shooting under its “The Policeman” title. The union eventually assigned an intimacy coordinator was ultimately brought onto the set.

Whether that drama is connected to the shadowy director credit remains unclear — but it certainly adds another layer to an already strange production.

As it stands, “Golden State Killer” has wrapped shooting and is in the hands of Lionsgate, which acquired the film last year, and they are hinting at a 2026 release.

← Martin Scorsese Joins ‘Mandalorian and Grogu’ Playing Ardennian Fry CookNeon Acquires Ryusuke Hamaguchi’s ‘All of a Sudden’ — Aiming for Seventh Straight Palme d’Or →

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Cannes 2027: Spitball #1 Includes Scorsese, Östlund, Bong, Chazelle, Nichols, Payne, Haynes, Weerasethakul — and Yes, Malick (Again)

If you've read this column for a while, you know the drill: I spitball Cannes every month from now until April, updating the latest intel and trying to figure out what will be in competition, vying for the Palme d'Or.

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James Gray Takes Aim at Letterboxd, First Reactions, Star Ratings and Tomatometers: ‘2001’ Would Probably Be Rotten If Released Today”

James Gray is taking aim at the instant gratification that's infected film discourse, including social media first reactions, and Letterboxd. Oh, and he hates Rotten Tomatoes.

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Brian De Palma's ‘Sweet Vengeance,' His First Film in 8 Years, Might Have a Cut Ready by February

Pino Donaggio confirmed he'll score De Palma's next feature, "Sweet Vengeance." It would be their ninth film together, a partnership that dates back 50 years to "Carrie."

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Ari Aster's ‘Scapegoat' Has Started Shooting in New York City

Darius Khondji is back behind the camera as DP. That's a pairing that should give this thing Aster’s usual very specific, unnerving texture. Bobby Krlic is back to compose his fourth straight Aster movie.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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