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Bradley Cooper’s ‘Ocean’s’ Prequel Starts Filming in Europe

A June 25, 2027 release date has been set for “Oceans.” This will be Cooper’s fourth directorial effort after “A Star Is Born,” “Maestro,” and “Is This Thing On?”

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Werner Herzog’s ‘Bucking Fastard’ Is the Only Movie to Hit All Four Major Fall Film Festivals

Inspired by a true story, “Bucking Fastard” follows sisters Jean and Joan Holbrooke, played by Rooney and Kate Mara, in total sync, as they live by their own social and emotional standards and rules.

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Michael Haneke Has Retired From Filmmaking: “He Made His 10 Movies, Just Like His Idol Robert Bresson”

It’s an understatement to say that Michael Haneke has had an immense impact on cinema—“Caché,” “The Piano Teacher,” “Funny Games,” and “Amour” are cinematic landmarks.

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Parker Finn’s ‘Possession’ Remake Sets June 2027 Release at Paramount

Yep, they’re going ahead with it. One of the most puzzling remake announcements in recent years is not only currently in production, but has also just been dated for release.

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‘Josephine’ Trailer: Sundance Winner About a Child Witnessing Rape Sets November Release

We now have a very effective trailer for “Josephine,” and this film is certainly going to be a tough watch for many. The story of a child who witnesses a rape and the psychological toll she endures is not an easy sell.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Warner Bros Spent $30M on ‘Sinners’ and ‘One Battle’ Oscar Campaigns

February 12, 2026 Jordan Ruimy

Remember when Netflix spent a record $25 million-plus in its bid to land Best Picture for “Roma”? Oscar campaigns ain’t cheap — and in 2026, when you’re the studio behind the top two Best Picture frontrunners, you spend. Big.

Sources tell Variety that Warner Bros. shelled out roughly $30 million on Oscar campaigns for “Sinners” and “One Battle After Another.” The budgets were nearly identical, landing somewhere between $14 million and $16 million per film, so there was no clear favored horse in the race.

The payoff? “Sinners” landed a record-breaking 16 Oscar nominations, while “One Battle After Another” followed closely behind with 14, the second-most nods this year. By most accounts, the Best Picture race has narrowed to these two films — money well spent, it seems, as Warner Bros. is poised to claim its first Best Picture win since 2012’s Argo when the envelopes are opened on March 15.

Now, the million-dollar question: is spending this much money just to win a Best Picture Oscar actually worth it? Sometimes yes, sometimes no. Winning rarely pays off directly in box office or streaming revenue, but studios have long seen it as worth it for prestige, industry influence, and long-term brand value. In other words, it’s like buying a $30 million trophy you can’t hang on your wall—but everyone in Hollywood will treat you like you did.

← Jaume Collet-Serra, Master of Elevated Mediocrity, Set to Shoot ‘An Innocent Girl’ With Colman Domingo and Kerry WashingtonCannes 2026: Almodóvar Looms, Coen Submits, and Malick’s 3.5-Hour Cut Circles Again →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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