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Mel Gibson Says ‘Lethal Weapon 5’ Could Finally Happen After Paramount’s Warner Bros. Takeover

Gibson is now 70 and his co-star, Danny Glover, is 80, but more pertinently, Glover has Alzheimer’s — which complicates everything. Gibson remains undeterred. They do call him Mad Mel for a reason, you know.

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Lars Von Trier Has Almost Completed the Screenplay For His Final Film

Lars Von Trier is working on the 15th—and likely final—film of his career, “After,” and according to his producer, Peter Aalbæk Jensen, the screenplay is supposed to be completed this month

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Mel Gibson Says ‘Resurrection of the Christ’ Not in Aramaic Because the Story Is Too “Complex” for Subtitles

Gibson isn’t shooting the sequels in Aramaic and Latin. They’re in English. He now explains the decision, saying the material became too complicated to ask audiences to process through subtitles.

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David Ellison Ready to Sign Three-Year Deal Promising 30 Paramount/Warner Bros. Movies a Year in Theaters

Paramount/Skydance’s David Ellison is making a big promise to theater owners as he tries to get that proposed $110 billion Warner Bros. Discovery deal across the finish line.

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‘Spider-Man: Brand New Day’ Dominates With $145M Second Weekend as Sexless ‘One Night Only’ Bombs With $5M

“Spider Man: Brand New Day” with the highest 10-day domestic run ever. Through tomorrow, the US total will be $653M, and $1.7 billion worldwide. Talk about a blockbuster—this is the definition of one.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Mike Flanagan to Direct ‘The Mist’ Adaptation for Warner Bros

February 10, 2026 Jordan Ruimy

Warner Bros. has greenlit a new adaptation of “The Mist,” based on Stephen King’s 1980 novella, to be written and directed by—who else—Mike Flanagan (via Deadline).

I mean… why? I loved Frank Darabont’s 2007 “The Mist,” and no offense to Flanagan, but I don’t see the need for a retread when there’s already a perfectly good film version of King’s story.

As I noted a few months back, instead of Hollywood remaking films that were already good in the first place, why not take a crack at remaking the bad ones? It makes far more sense than revisiting a story that already worked so well the first time it was adapted for the screen.

In “The Mist,” a Maine town is engulfed by a mysterious fog from which deadly creatures emerge. Survivors take refuge in a local grocery store, where fear and desperation ignite mob mentality—it’s an apt exploration of both heroism and the dark extremes of human nature.

With Darabont retired—for now—Flanagan has become King’s new favorite director to adapt his books. He has kept busy with King’s works, directing “Gerald’s Game,” “Doctor Sleep,” “Life of Chuck,” “Carrie,” and currently had an adaptation of “The Dark Tower” in development.

With all due respect to Flanagan, it’s difficult to understand the need to remake Darabont’s ‘The Mist,’ particularly when Stephen King himself has praised the film’s ending as superior to the book. The movie is often regarded as one of the best adaptations of King’s work, and the 2017 TV series was poorly received—so why make another film?

There are so many other King stories that could be adapted that there’s little justification for returning to ‘The Mist’ yet again. Perhaps the inevitable backlash to this project will give Warner Bros., Flanagan, and King second thoughts about the whole thing.

← Brendan Fraser & Rachel Weisz-Starring ‘The Mummy 4’ Sets May 2028 Release DateNate Parker’s ‘Newborn’ — Shot in 2020 — Finally Finds Distribution via AMC Theaters →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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