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Matt Reeves’ ‘Bonfire of the Vanities’ Not Moving Forward at Apple, Seeks New Home

Reeves is supposed to direct, David E. Kelley is writing, and just like that, Apple got cold feet — the usual “creative differences” excuse is being cited in the report, and maybe that was indeed the case.

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Paul Thomas Anderson Reportedly Shadowed Martin Scorsese and Rewrote ‘What Happens at Night’

Having an insurance director is not uncommon in Hollywood. Aging filmmakers, in case a health issue arises, sometimes need to have one. It seems like that’s what might have occurred on “What Happens at Night.”

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LOL: Eli Roth Blames Lionsgate for ‘Borderlands’ Failure, Says Final Cut Was Not His

The box-office bomb cost $145M to produce and ended up finishing its run with a total of just $31M worldwide in receipts. The film was reportedly a $115M for Lionsgate.

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Jeremy Saulnier’s New A24 Thriller ‘October’ Reveals First Plot Details — Will It Release This Year?

A24 has been keeping quiet about the film, but I hear it was recently screened internally, and a decision should be coming shortly, if not by the end of this month.

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Jane Schoenbrun Says A24 Passed on ‘Teenage Sex and Death at Camp Miasma’: “I Want to Destroy” the Systems That Make Movies

Schoenbrun struggled to get ‘Camp Miasma’ made after A24 passed on the project. MUBI eventually came aboard, financing the film with a $10 million budget.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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AI ‘Actress’ Tilly Norwood Spurs Backlash in Hollywood: “We're Screwed"

September 30, 2025 Jordan Ruimy

A rather absurd (but inevitable?) development Hollywood may soon witness. A curious inversion of its traditional stardom: human actors falling while AI-generated performers rise to prominence?

The late Alfred Hitchcock, the master of suspense, once quipped that “all actors must be treated like cattle.” Today, the metaphor feels almost prescient. In the emerging era of artificial intelligence, some actors may not exist in the traditional sense at all.

Enter Tilly Norwood, a fully AI-generated actress whose creation has ignited intense debate across the industry. Talent agencies have reportedly been circling Norwood even before her official debut, signaling that Hollywood’s fascination with digital stars is far from just a conspiracy.

The Hollywood Reporter notes that:

Over the weekend, a host of actors responded to the news that agencies were circling Norwood. The threat of AI has long haunted industry creatives, and regulations around the craft became a linchpin clause through the SAG-AFTRA strikes of 2023.

Variety reports that Eline Van der Velden, the creator of Norwood, addressed the backlash on Instagram:

To those who have expressed anger over the creation of my AI character, Tilly Norwood, she is not a replacement for a human being, but a creative work – a piece of art. Like many forms of art before her, she sparks conversation, and that in itself shows the power of creativity.

I see AI not as a replacement for people, but as a new tool, a new paintbrush. Just as animation, puppetry, or CGI opened fresh possibilities without taking away from live acting, AI offers another way to imagine and build stories. I’m an actor myself, and nothing – certainly not an AI character – can take away the craft or joy of human performance.

Van der Velden confirmed that talent agencies are actively vying to represent the AI character herself—not Van der Velden—in the coming months.

The response from Hollywood’s human actors has been swift and vocal. Are these protests a fight for artistic sanity, or a desperate clutching at relevance, akin to Norma Desmond in “Sunset Boulevard,” fading under the relentless march of time and technology?

Emily Blunt appeared stunned by the revelation and struggled to articulate her feelings. “Does it disappoint me? I don’t know quite how to answer that, other than to say how terrifying this is,” she admitted. When shown Norwood’s image, the actress reacted with disbelief: “No, are you serious? That’s an AI? Good Lord, we’re screwed. That is really, really scary.”

As AI technology continues to advance, the line between digital and human performance is blurring. Whether Tilly Norwood becomes a fleeting curiosity or a sign of a new Hollywood remains to be seen, but one thing is clear: the age of purely human stars is being threatened.

← Paul Schrader Has Mixed Feelings About ‘One Battle After Another'Quentin Dupieux’s ‘Full Phil’ to Star Kristen Stewart, Woody Harrelson and Emma Mackey →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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