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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Sean Penn on Losing Passion and Coasting Through Roles for the Past Fifteen Years

September 28, 2025 Jordan Ruimy

Although two-time Oscar winner Sean Penn hasn’t stopped acting this last decade, he’s been far less prolific as he once was, opting to choose far less roles, and not many of them have been worthy of his talents.

Still, a comeback may be underway. Penn recently starred alongside Dakota Johnson in the indie film “Daddio,” which he said “rejuvenated” his passion for acting. And with his acclaimed performance in “One Battle After Another,” he’s not only likely to earn an Oscar nomination but could very well take home the award.

Speaking to The New York Times, Penn reflects on how his approach to acting has changed over time. After Gus Van Sant’s “Milk,” he missed that sense of deep connection on set, and even though he kept taking “good” jobs, he began questioning the point of it all.

You want the same thing you find in family. You want to be with people you love, and it wasn’t since Gus Van Sant’s movie “Milk” that I’d had that feeling. So I kept taking these jobs that I thought were good jobs about good subjects with good directors and I was missing my family, my dog, and I said, What the [expletive] am I doing here? I felt like, maybe I’m done with all this.

He admits that during this period his work suffered, as his reputation allowed him to coast without fully investing. Drawing from a Marlon Brando quote, Penn says he too began to feel burdened rather than inspired.

You are given automatic cover once you represent a certain kind of quality stamp. You get away with too much. Marlon [Brando] said one time, “I really have to suit up for that one.” I remember I was doing a play in San Francisco, and backstage at the theater, Marlon’s call comes through out of the blue. He hadn’t been in touch for a few months. He says, “You know, the idea of opening in a play, to me, would be like summoning up the Inquisition.” I got to the point where I was feeling like suiting up was summoning up the Inquisition.

However, when he eventually reconnected with the joy and imaginative freedom of creating characters, it reignited Penn’s passion, making the rediscovery even more rewarding. The result is a potential third Oscar.

No question about it, Penn is one of the greats. His most notable performances include “Mystic River,” “Fast Times at Ridgemont High,” “Bad Boys,” “The Falcon and the Snowman,” “Casualties of War,” “Carlito’s Way,” “Dead Man Walking,” “Sweet and Lowdown,” and “Milk.” Truly, an absolute legend.

← ‘Priscilla, Queen of the Desert’ Sequel Will Feature Terence Stamp’s Last On-Screen PerformanceReaders’ Thoughts on ‘One Battle After Another’? — $6M Friday, Projected $21M Opening Weekend, $45M Worldwide →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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