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‘Smile 3’ Taps David Bruckner to Direct as Parker Finn Exits Franchise

The ‘Smile’ franchise has a new director. David Bruckner, who made “The Night House” and the 2022 “Hellraiser” reboot, has been hired to direct “Smile 3” for Paramount.

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‘Hunger Games: Sunrise on the Reaping’ Presales Suggest $100M+ Opening Weekend

We might have another blockbuster hit on our hands next month. Presales for ‘Sunrise on the Reaping’ are already turning heads. Robust demand for the film is hinting that a $100M+ opening.

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Ben Wheatley Replaces Rob Savage on ‘Molepeople' — LaKeith Stanfield Also Exits Blumhouse Horror Movie Due Next Summer

Major shakeup for a film that was announced just two weeks ago, and is supposed to come out next year. Was this thing in production when these changes happened?

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The 20 Best Horror Movies of the 21st Century, and the Best of 2026

Halloween is on Saturday, and horror movies keep thriving at the box office. Beyond commercial success, arthouse horror remains at the forefront of American cinema.

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‘You Can See Everything' Adds 600 Screens Friday, Expanding to 3200+ Theaters in Push for #1

A24 isn't being subtle. This Friday, "You Can See Everything" will expand to roughly 600 additional theaters, bringing it to 3,243 screens nationwide. That's a studio going after the top spot at the box office.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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James Gunn Celebrates ‘Superman’ Success, Calls Its Box-Office an “Enormous Relief”

August 22, 2025 Jordan Ruimy

When James Gunn’s “Superman” hit theaters last month, it received strong reviews, earning an 83% rating on Rotten Tomatoes, and went on to become 2025’s top-grossing superhero release with almost $600M worldwide. However, with a high budget—Warner Bros. claims $225M—and equally costly marketing, was it truly a success?

While it may not reach the billion-dollar milestone, the narrative being promoted by WB and Gunn is that it was a major triumph for DC Studios, a brand that has struggled after recent misfires like “The Flash” and “Joker: Folie à Deux.”

In a recent interview, Gunn, DC Studios co-CEO and “Superman” writer-director, reflected on the film’s reception, noting that the box office success came with “an enormous sense of relief.”

Very quickly after that comes excitement. “Superman” was in many ways the proof of concept. It was challenging, just like Guardians of the Galaxy was. Once you find your rhythm, you understand what works, what doesn’t, and where you can take the story. Now we have the freedom to explore new stories in really exciting ways. I can focus purely on creativity without the pressure of worrying about the survival of the DC brand like I did a month and a half ago.

Basically, with no other official source out there, we are supposed to believe WB and Gunn when they say the film was a success. Domestically? Absolutely: $343M and counting. Internationally? It has been more of a struggle, with just a $255M haul.

Gunn has vehemently dismissed reports claiming the film needed $650M to break even as “absolutely false,” adding that only “idiots” would greenlight a first-in-franchise film requiring that kind of return. This seems to be a sensitive topic for the filmmaker, as it is not the first time he has had to strongly deny a break-even figure for his film, which Warner Bros. maintains is $500M.

The conversation around whether “Superman” is a bona fide success is more nuanced than most of the headlines suggest. Going into its release, few of the film’s boosters predicted it would land at these box office numbers. Prior to its release, Variety called it Warner Bros.’ “best shot” at a billion-dollar hit, and fans across social media were speculating wildly about its potential haul. Yet, just weeks before the premiere, it became clear that the film wouldn’t reach those heights.

Budget-wise, the reported $225M production cost seems believable. Applying the usual box office math—roughly 2.5 times the production budget to break even—puts the threshold somewhere around $562M. Considering that this is the launch of Gunn’s DC Universe, it’s safe to assume marketing was hefty, so let’s push the real breakeven closer to $600M. By that measure, “Superman” is essentially there, hovering at $598M, with additional revenue from digital sales and rentals likely tipping it into the black.

So while it may not have shattered expectations, the numbers suggest Warner Bros. isn’t losing sleep over this one. The real question now isn’t whether it made money—it’s whether Gunn has set the tone for a DCU that can sustain momentum beyond this first outing.

← Jerzy Skolimowski & Shia LaBeouf’s ‘Angel of Death’ in Trouble? Rumors of Project Collapse Despite Secured FundingEthan Coen’s ‘Honey Don’t’ Struggles: Negative Reviews and Weak $3M Opening →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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