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May el-Toukhy’s ‘Woman Unknown’ Wins the Golden Lion at Venice — Surprise!

The short version: "Woman Unknown" was a compromise. The jury deadlocked over "Possible Love" and "NAZA," not able to com to terms, fell back on their #3, May el-Toukhy's film.

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Cory Finley's 'Reasonable People,' Starring Paul Rudd and Sam Rockwell, Shoots This Fall

Cory Finley, a talented filmmaker, has directed three films so far: "Thoroughbreds" (2017), "Bad Education” (2020), and "Landscape with Invisible Hand.”

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Bassam Tariq Says Making ‘Blade' at Marvel Was ‘“a Different Thing”: “Somebody Else Is Running This”

Bassim Tariq was the first one in the chair. The "Mogul Mowgli" director spent two years building out the Mahershala Ali vehicle before exiting in 2022, and he's now letting the air out on this one.

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‘The Family Stone’ Sequel Greenlit at Searchlight, Fall Shoot, Reunites the Entire Cast — Except Diane Keaton

Claire Danes, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker, Luke Wilson, Tyrone Giordano, Elizabeth Reaser, Paul Schneider, and Brian White will all be back.

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Critics Are Fighting About ‘Fjord’ at TIFF; Sebastian Stan: “Not A MAGA Movie”

I was curious how Cristian Mungiu's "Fjord" would be received this fall. The Palme d'Or winner has become a culture-war flashpoint, and critics are more split on it than you might expect.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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James Gunn Celebrates ‘Superman’ Success, Calls Its Box-Office an “Enormous Relief”

August 22, 2025 Jordan Ruimy

When James Gunn’s “Superman” hit theaters last month, it received strong reviews, earning an 83% rating on Rotten Tomatoes, and went on to become 2025’s top-grossing superhero release with almost $600M worldwide. However, with a high budget—Warner Bros. claims $225M—and equally costly marketing, was it truly a success?

While it may not reach the billion-dollar milestone, the narrative being promoted by WB and Gunn is that it was a major triumph for DC Studios, a brand that has struggled after recent misfires like “The Flash” and “Joker: Folie à Deux.”

In a recent interview, Gunn, DC Studios co-CEO and “Superman” writer-director, reflected on the film’s reception, noting that the box office success came with “an enormous sense of relief.”

Very quickly after that comes excitement. “Superman” was in many ways the proof of concept. It was challenging, just like Guardians of the Galaxy was. Once you find your rhythm, you understand what works, what doesn’t, and where you can take the story. Now we have the freedom to explore new stories in really exciting ways. I can focus purely on creativity without the pressure of worrying about the survival of the DC brand like I did a month and a half ago.

Basically, with no other official source out there, we are supposed to believe WB and Gunn when they say the film was a success. Domestically? Absolutely: $343M and counting. Internationally? It has been more of a struggle, with just a $255M haul.

Gunn has vehemently dismissed reports claiming the film needed $650M to break even as “absolutely false,” adding that only “idiots” would greenlight a first-in-franchise film requiring that kind of return. This seems to be a sensitive topic for the filmmaker, as it is not the first time he has had to strongly deny a break-even figure for his film, which Warner Bros. maintains is $500M.

The conversation around whether “Superman” is a bona fide success is more nuanced than most of the headlines suggest. Going into its release, few of the film’s boosters predicted it would land at these box office numbers. Prior to its release, Variety called it Warner Bros.’ “best shot” at a billion-dollar hit, and fans across social media were speculating wildly about its potential haul. Yet, just weeks before the premiere, it became clear that the film wouldn’t reach those heights.

Budget-wise, the reported $225M production cost seems believable. Applying the usual box office math—roughly 2.5 times the production budget to break even—puts the threshold somewhere around $562M. Considering that this is the launch of Gunn’s DC Universe, it’s safe to assume marketing was hefty, so let’s push the real breakeven closer to $600M. By that measure, “Superman” is essentially there, hovering at $598M, with additional revenue from digital sales and rentals likely tipping it into the black.

So while it may not have shattered expectations, the numbers suggest Warner Bros. isn’t losing sleep over this one. The real question now isn’t whether it made money—it’s whether Gunn has set the tone for a DCU that can sustain momentum beyond this first outing.

← Jerzy Skolimowski & Shia LaBeouf’s ‘Angel of Death’ in Trouble? Rumors of Project Collapse Despite Secured FundingEthan Coen’s ‘Honey Don’t’ Struggles: Negative Reviews and Weak $3M Opening →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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