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‘River': Horror Movie Sells to Universal and Blumhouse for $10M+ TIFF 2026’s First Big Deal

Still no distributor for "Bucking Fastard," "Alpha Gang," "The Last Photograph," "Closing Night," and "The Life and Deaths of Wilson Shedd." The issue seems to be quality more than a lack of willingness to buy.

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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‘Minotaur' Trailer: Andrey Zvyagintsev's Cannes Grand Prix Winner Gets November Release from MUBI

"Minotaur" won the Grand Prix at Cannes. A two-time Oscar nominee who already has the Golden Lion for "The Return," Best Screenplay at Cannes for "Leviathan," and the Jury Prize in 2017 for "Loveless.

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‘Cosmic Motors,' John Lasseter's First Film in 15 Years, Moves from Netflix to Paramount Theatrical Release

Netflix and Skydance Animation have also called it quits. The two sides announced Monday that they're ending the animated film deal struck back in 2023, framing it as a mutual decision.

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Edward Berger’s Lance Armstrong Biopic, Starring Austin Butler, Starts Production in January

Edward Berger seems to have settled on what comes next. His Lance Armstrong biopic, starring Austin Butler, is now holding casting calls, with production eyed for January.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Venice Boss on Paul Thomas Anderson’s Absence: “I Never Got a Clear Response from Warner Bros”

July 30, 2025 Jordan Ruimy

Of all the films arriving this fall, “One Battle After Another” is the one I’m most looking forward to. Why? Because it’s directed by Paul Thomas Anderson — arguably the greatest American filmmaker of the past 25 years.

A few weeks back, I reported how “One Battle After Another” opted to bypass all the major fall festivals, including Venice, Telluride, and Toronto.

Still, the move no doubt raised some eyebrows. With a reported $150M+ price tag and Anderson’s name above the title, “One Battle After Another” had all the makings of a Lido splash. Skipping the fall circuit has inevitably left a vacuum, and invited speculation.

A recent interview with Venice Film Festival chief Alberto Barbera seems to have further muddied the waters; He’s telling ScreenDaily that Anderson and Warner Bros. were not very forthcoming in their replies after he requested to screen the film.

We succeeded in getting most of the films we wanted. The only one that we are really missing you can say easily is the Paul Thomas Anderson film […] I have to confess I couldn’t get a clear response either from him or from Warner Bros about the fact that I was wishing to see the film. This is the only missing film that I regret not being able to show.

Meanwhile, speaking with Deadline, Barbera admits that Warner Bros ghosting him might have to do with a hybrid of reasons, but he’s still puzzled by their lack of engagement:

It’s probably a combination of factors. I don’t think Paul loves to travel with his movies. Perhaps the ‘Joke’r experience was a factor, I don’t know. You’ll need to ask Warners. It’s true that bringing it here would have been very expensive.

Is the film unfinished? Possibly. Is WB still smarting from last year’s “Joker: Folie à Deux” fiasco in Venice? Probably. Or maybe Anderson himself simply doesn’t care for the festival grind anymore, and a quiet release, on his own terms, is maybe what he prefers.

Neither Warner Bros. nor Anderson’s camp are commenting. But, make no mistake, skipping the fall fests means deliberately avoiding the oxygen of early buzz, critical discourse, and awards momentum. That’s a risky move when you’re launching such a pricey film, one filled with talent, including Leonardo DiCaprio, and helmed by one of the truly great filmmakers around.

It remains to be seen if this strategy will likely pay off for Warner Bros. “One Battle After Another” opens wide on September 26.

← Mikey Madison and Jeremy Allen White to Star in Aaron Sorkin’s ‘The Social Network Part II’Greta Gerwig's ‘Narnia: The Magician's Nephew' Starts Production in September →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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