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Zack Snyder's ‘The Last Photograph’ Is Getting Destroyed at TIFF: “Unabashedly Sh*t On Every Level”

As expected, Snyder's latest is being torn apart by TIFF attendees. No mercy given. The film, which had its world premiere this evening, is being called by some one of the worst movies to ever premiere at the festival.

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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Superman’ Soars in U.S., Stumbles Overseas: David Zaslav Celebrates, Touting DCU’s “Bold Ten-Year Plan”

July 13, 2025 Jordan Ruimy

For a weekend, at least, David Zaslav gets to breathe. The Warner Bros CEO has released a statement celebrating this weekend’s “Superman” box-office.

“Three years ago, I hired James Gunn and Peter Safran to reimagine and unify the creative direction of DC under one leadership team,” Zaslav said in the statement. “James and Peter’s commitment to honoring the legacy of the DC Universe while forging something new is inspired.”

“Superman is just the first step,” Zaslav added. “Over the next year alone, DC Studios will introduce the films Supergirl and Clayface in theaters and the series Lanterns on HBO Max, all part of a bold ten-year plan. ”

And yet, despite a $217M global debut that falls short of blockbuster expectations, “Superman” has landed in a grey zone that lets both its critics and supporters walk away feeling validated.

Domestically, the film soared with $122M — enough to affirm James Gunn’s fresh take on the DCU — but the softer international turnout highlights the lingering challenge of launching a truly global superhero franchise. A red flag for a franchise that needs to play on the global stage to justify its blockbuster budget and long-term ambitions.

In markets like China, Latin America, and parts of Europe, Superman underperformed compared to both pre-release tracking and prior DC films. For comparison, “The Batman” opened to $258M globally with a more muted U.S. rollout, showing stronger overseas interest.

And so, supporters can point to the strong U.S. opening as proof that audiences are buying into Gunn’s vision for a rebooted DCU, while critics can cite the lukewarm international performance as a sign that Superman’s global pull might make it hard for the film to break even.

Regardless, the DCU will move forward; Superman did enough to keep the lights on. Everyone wins — just not in the way they hoped.

← Edgar Wright is Not Directing ‘The Black Hole’ Remake [Updated]‘Donkey Kong’ Movie Moves Forward as Universal Files Copyright →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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