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May el-Toukhy’s ‘Woman Unknown’ Wins the Golden Lion at Venice — Surprise!

The short version: "Woman Unknown" was a compromise. The jury deadlocked over "Possible Love" and "NAZA," not able to com to terms, fell back on their #3, May el-Toukhy's film.

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Cory Finley's 'Reasonable People,' Starring Paul Rudd and Sam Rockwell, Shoots This Fall

Cory Finley, a talented filmmaker, has directed three films so far: "Thoroughbreds" (2017), "Bad Education” (2020), and "Landscape with Invisible Hand.”

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Bassam Tariq Says Making ‘Blade' at Marvel Was ‘“a Different Thing”: “Somebody Else Is Running This”

Bassim Tariq was the first one in the chair. The "Mogul Mowgli" director spent two years building out the Mahershala Ali vehicle before exiting in 2022, and he's now letting the air out on this one.

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‘The Family Stone’ Sequel Greenlit at Searchlight, Fall Shoot, Reunites the Entire Cast — Except Diane Keaton

Claire Danes, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker, Luke Wilson, Tyrone Giordano, Elizabeth Reaser, Paul Schneider, and Brian White will all be back.

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Critics Are Fighting About ‘Fjord’ at TIFF; Sebastian Stan: “Not A MAGA Movie”

I was curious how Cristian Mungiu's "Fjord" would be received this fall. The Palme d'Or winner has become a culture-war flashpoint, and critics are more split on it than you might expect.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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PTA’s ‘One Battle After Another’ Skipping Venice Film Festival

July 12, 2025 Jordan Ruimy

A reliable Italian journalist—well-regarded in cinephile circles—has posted on his personal blog that Paul Thomas Anderson’s highly anticipated “One Battle After Another” will not be premiering at this year’s Venice Film Festival.

Now, before you shoot the messenger, this is coming from a credible journalist and he is well known, especially in the Italian film scene and with regard to the Venice Film Festival. Even the director of Venice, Alberto Barbera, follows him on Instagram.

The PTA news, while unconfirmed by the studio, aligns with growing speculation that Warner Bros. is looking to avoid another high-profile festival fumble, especially after last year’s Venice disaster with “Joker: Folie à Deux.”

Warner Bros. simply can’t afford to drop the ball on this one. “One Battle After Another,” which might have cost as high as $175M, is shaping up to be one of the fall’s most anticipated films, and skipping the fall festival circuit entirely would be a puzzling move on low confidence.

Still, it’s understandable why Venice is being passed on. ‘Folie à Deux’ was practically trashed off the Lido last year, and the fallout put the studio in full damage-control mode for weeks.

That leaves TIFF as the likeliest landing spot—but things there have been frosty between the Canadian fest and Warner Bros. for a few years now. It all started with “The People’s Joker,” a transgressive, satirical reimagining of the Batman mythos that was yanked from the Midnight Madness lineup back in 2022. The reason? “Rights issues,” though it was widely understood that Warner Bros. put quiet pressure on the festival to drop it. No lawsuit was ever filed, but the damage was done: Warner hasn’t premiered a major title at TIFF since.

Could this be the peace deal? Could “One Battle After Another” mark the reconciliation between TIFF and Warner Bros.? It would make sense—Toronto’s a major player, the audience is hungry for a big auteur-driven drama, and with Venice potebtially out, the festival would kill for a world premiere of this caliber.

Telluride? Probably not in the cards. The New York Film Festival is a no-go: it opens the same day “One Battle After Another” hits theaters nationwide on September 26.

So where does that leave us? Somewhere in the middle of a festival tug-of-war with no clear frontrunner. What’s certain is this: Warner Bros. needs this film to land, and land big. Where it touches down may very well shape its fate.

← Mark Frost Confirms ‘Twin Peaks’ Won’t Continue Without David Lynch: “It Closed the Circle”Alice Rohrwacher to Follow ‘La Chimera’ With a Silent Film →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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