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August 19, 2019
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August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

August 19, 2019

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Udo Kier, 1944–2025

November 23, 2025 Jordan Ruimy

Udo Kier, the inimitable, scene-stealing German actor whose face could switch between monster and muse, died Sunday morning, according to his partner, artist Delbert McBride. He was 81.

Kier was born in Cologne near the end of World War II under circumstances that only feel Kier-esque : the hospital where he was born was bombed moments after his birth, and he and his mother had to be dug out of the rubble. From that moment, one of the most eccentric and fascinating acting career was to come.

Over a career spanning nearly six decades, Kier starred in more than 200 films, leaving behind a legacy of unforgettable, often unclassifiable roles. The man would elevate anything he was in. He surfed the neon horror of Dario Argento’s “Suspiria,” delighted as the flamboyant vampire in “Blade,” and embraced provocative elegance of Lars Von Trier in “Melancholia” and “Breaking the Waves.”

I last saw Kier in this year’s Cannes winning Kleber Mendonça Filho‘s “The Secret Agent” where, in just ten minutes of screentime, he did what he always did—left a mark that lingered long after he left the frame. A few years earlier, Kier starred in Mendonça Filho‘s “Bacurau” where he, obviously, stole the show, again.

Kier is perhaps best known for his art-house work. He was unforgettable as the creepy German john who picks up rent boys Keanu Reeves and River Phoenix in Gus Van Sant’s “My Own Private Idaho.” And he was a recurring presence in the films of Lars von Trier—something of a muse for the Danish director—appearing in nine of his movies. Even S. Craig Zahler couldn’t resist casting Kier in his last two films, “Brawl in Cell Block 99” and “Dragged Across Concrete.”

For decades, Kier was cinema’s secret weapon: directors called on him when they needed fearless eccentricity, not to mention electric screen presence. He thrived in the grotesque, the surreal, and the bizarre, reminding audiences that acting can be a high wire act of originality.

One of his last projects will be in Hideo Kojima's unreleased horror game, OD, which Jordan Peele is also producing. Sounds about right for such an unpredictable actor.

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