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Zack Snyder's ‘The Last Photograph’ Is Getting Destroyed at TIFF: “Unabashedly Sh*t On Every Level”

As expected, Snyder's latest is being torn apart by TIFF attendees. No mercy given. The film, which had its world premiere this evening, is being called by some one of the worst movies to ever premiere at the festival.

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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Netflix Interested in Acquiring Warner Bros’ Film & TV Assets [Updated]

October 21, 2025 Jordan Ruimy

UPDATE: And yet, somehow, this story keeps getting worse. Bloomberg is reporting that Netflix has interest in acquiring Warner Bros’ film and TV assets, but not the networks.

If Netflix were to take control of Warner Bros., the consequences for the film industry would be grim. Unless, of course, Netflix uses Warner Bros. as a theatrical release arm—which they won’t. Their end goal is to eradicate theatrical. More likely, Warner Bros.’ film legacy would be absorbed into Netflix’s streaming-first strategy.

Imagine Christopher Nolan’s films—once synonymous with the theatrical experience—locked inside Netflix’s library. Imagine the DC Universe, reduced to streaming content. This isn’t just consolidation—it’s the slow erosion of the film industry as we know it.

We’re still a long way from this nightmare ever becoming reality, but honestly? Just the thought of it makes my skin crawl.

EARLIER: Fresh off taking control of Paramount last month, David Ellison has even bigger ambitions. Despite a recently failed bid, Ellison is still very much eyeing the acquisition of Warner Bros. Discovery—the parent company of HBO, CNN, and Warner Bros. Pictures.

The big news this morning was that Warner Bros. Discovery is now officially up for sale, and with that announcement, WBD shares hit a 52-week high. The news followed weeks of deal chatter surrounding the Hollywood giant, led by CEO David Zaslav.

The company indicated that there is no timeline, but TD Cowen analyst Doug Creutz, in a reaction note, outlined the most likely scenario (via THR):

We continue to think a transaction with Paramount Skydance is reasonably likely. We are more skeptical that other, more attractive bidders will emerge.

Creutz’s prediction should be taken seriously for several reasons. He has a strong track record when it comes to forecasting major entertainment industry moves, and his firm, TD Cowen, is known for its data-driven assessments of media mergers and acquisitions. The fact remains that Ellison’s Skydance already has deep financial backing to make this happen.

It’s also no secret that the pool of potential rival bidders for Warner Bros. Discovery is thin. Given Ellison’s aggressive expansion strategy and the lack of serious competition, the potential for a Paramount–Skydance–WBD deal is very real.

If Ellison’s Skydance were to acquire Warner Bros. Discovery, the effects on the movie and media landscape would be enormous. Just imagine—Paramount Pictures, Warner Bros., HBO, and CNN all under one roof. On the film side, it could reshape franchise strategy, IP like Harry Potter and James Gunn’s DCU could be shaken up.

← Cameron Crowe Admits ‘Vanilla Sky’ Marked His Decline — Defends ‘We Bought a Zoo'Mel Gibson’s ‘Resurrection of the Christ’ Has $200M Budget — Shot in English →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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