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Aug 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
Aug 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Aug 19, 2019

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Shot in 2022, ‘Long Day's Journey Into Night' Set to Finally Screen

January 22, 2025 Jordan Ruimy

Eugene O'Neill's Pulitzer-winning play “Long Day's Journey Into Night” was adapted into a film, helmed by noted theater director Jonathan Kent, in his feature debut. This latest version, starring Jessica Lange, Ed Harris and Ben Foster, wrapped filming in November 2022.

It’s been announced that the film will, finally, have a very quiet world premiere at the Glasgow Film Festival in March. The fact that they’ve decided to screen it at this fest, and weren’t more ambitious with their plans, is cause for concern.

In a recent interview with Vulture, Lange was cryptic, but also not very hopeful about the current status of the film. It sounded like there were some behind the scenes issues:

Who knows if it will ever come out. It’s in some weird limbo. It’s not finished.

When asked if was a “money issue” that’s been holding back the film, Lange answered with a confused tone “I don’t know what it is, exactly. Money? Differences of opinion?”

As initially reported by the New York Times, back in the fall of 2022, filming was briefly halted on the film, after just a few days of shooting, when a financier unexpectedly exited the project. It started back up a few days later when BKStudios came into the picture.

In the adaptation, set during a long and contentious day in 1912 Connecticut, Lange plays Mary Tyrone, the morphine-addicted matriarch of the Tyrone family; she previously played the role in 2016 on Broadway, which was also directed by Kent, and won a Tony for her work. Harris will play her husband, James, an aging actor who fears he's led his family into financial ruin. Ben Foster plays their alcoholic elder son, Jamie.

O’Neill’s play has been adapted multiple times for the big screen, including, most notably, in 1962 by filmmaker Sidney Lumet who delivered a near 3-hour tour de force.

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