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‘Spider-Man: Brand New Day’ Dominates With $145M Second Weekend as Sexless ‘One Night Only’ Bombs With $5M

“Spider Man: Brand New Day” with the highest 10-day domestic run ever. Through tomorrow, the US total will be $653M, and $1.7 billion worldwide. Talk about a blockbuster—this is the definition of one.

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Confirmed: ‘Digger’ Runtime is Actually 2 Hours 8 Minutes

Iñárritu is certainly one to indulge. His last film, “Bardo,” ran 159 minutes, while “The Revenant” was 156 minutes, “Biutiful” 148 minutes, “Babel” 143 minutes, and “Amores Perros” 154 minutes.

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Olivia Wilde Calls Netflix’s $20M ‘The Invite’ Offer a “Bribe” to Skip Theaters

Back in January, at the Sundance Film Festival, a bidding war emerged over Olivia Wilde’s “The Invite.” A24, Netflix, Searchlight, Focus Features, and NEON among the studios in the mix.

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‘American Psycho’ Reboot May Lose Luca Guadagnino as Casting and Rewrites Drag On

If Guadagnino’s vision ultimately doesn’t come together, and time surely is running out, Lionsgate might move on from the filmmaker they have already identified possible replacements.

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‘X-Men’ Reboot Rumors Heat Up With Christopher Abbott, Jon Hamm and .. Adam Driver?

With Jake Schreier directing, Samara Weaving locked, and Sadie Sink introduced as Jean Grey, the reboot is starting to come together. Maybe Marvel finally makes some of it official at D23 next week.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Andy Muschietti Blames ‘The Flash' Bombing on “Mental Health Situation" and Female Demo

January 12, 2025 Jordan Ruimy

Andy Muschietti’s ”The Flash” was plagued by delays, reshoots and star Ezra Miller’s criminal activity. The lukewarm reviews sealed the deal for the movie which ended up losing Warner Bros around $200M.

There’s been no accountability for what happened on “The Flash.” Who was actually responsible for its failure? Muschietti? Miller? Zaslav? It doesn’t sound like Muschietti was reprimanded either as he’s still set to direct “The Brave and the Bold” for Warner Bros’ DCU.

Here’s Muschietti, finally tackling the failure, and giving his own theory as to why he thinks “The Flash” didn’t find an audience (via Reel Anrachy), and he seems to be throwing his star, Miller, under the bus, or at least he’s acknowledging the “mental health” aspect that destroyed his film:

[“The Flash” failure] was the result of a mental health situation, you know. It turned out the way it turned out, let’s say. I mean, they [Miller] were dealing with a mental health situation, and well, when you make a movie, there are things you just can’t control. One of them is when actors have a public relations crisis. You know, they got into trouble, was arrested in Hawaii, etc. I had, in general, a very good experience with them. They’re a great actor, a great comedian. I was very surprised by them. But then, towards the end, I came across all of this.

Miller had quite the summer, leading up to “The Flash” being released, assaulting people around the world, left and right, and at one point, disappearing from authorities.

Miller’s summer “adventures” are too many to list in just one article, but here goes: he choked a woman, was accused of grooming children, was arrested multiple times for punching people, committed armed robbery. He also reportedly, and illegally, housed a mother and three young children on an unlicensed cannabis farm.

Call it a mental breakdown, or whatever you want, but the actor cracked. I do hope Miller has sought the help needed to better himself and make things right. Last I heard, he was supposedly now in an entourage with Hebrew rapper Matisyahu, and has been spending the better part of his time at his Vermont-based goat farm. Keeping it low-key.

Muschietti went on to add that it wasn’t just Miller’s serial crime spree that was to blame for “The Flash” failure. He’s also now throwing the Flash character himself under the bus, saying that he just wasn’t as popular with moviegoers, specifically the female demographic.

When you spend $200 million making a movie, Warner wants to bring even your grandmother to the theaters. And I found out in private conversations that a lot of people just don't care about The Flash as a character. Particularly the two female quadrants. There are a lot of women who aren’t interested in Flash as a character.

Notice how Muschietti fails to mention how the project had five different directors, and four different writing teams. How the movie was also released just as the DCEU was being disbanded by Warner Bros in favor of James Gunn’s DCU.

Maybe the biggest omission is Muschietti’s failure to admit how “The Flash” just wasn’t that good of a movie. Maybe it wasn’t the travesty that many critics claimed it to be, but it surely was a mess of a movie, attempting to jam in as much plot and characters into its 140 minute runtime, and eventually combusting in its second half.

← Djimon Hounsou Claims He's “Struggling To Make A Living," Despite Two Oscar NominationsPTA’s ‘Baktan Cross’: Delayed or Not Delayed? →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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