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Francis Ford Coppola’s ‘Glimpses of the Moon’ Still Struggling to Secure Financing
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Anya Taylor-Joy Confirmed to Star in ‘The Hunt For Gollum’
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Steven Spielberg Says He Would Never Make a Netflix Movie: “I’m a Moviemaker Who Believes in 70mm Theatrical”
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‘Evil Dead Burn’ Faces NC-17 Over “Brutal” Scene, Director Forced to Cut for R Rating
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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

August 19, 2019

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Paramount Wins Bidding War for Parker Finn’s ‘Possession’ Remake

July 9, 2024 Jordan Ruimy

I’ve already written about Parker Finn’s upcoming remake of 1981’s “Possession,” possibly starring Robert Pattinson, and how a bidding war was going on, between numerous studios, including A24, Netflix, Warner Bros, Sony and Paramount.

Well, it looks like Paramount is nearing a deal on the project. THR is reporting that they are so “high” on Finn’s upcoming “Smile 2” that they will now be boarding “Possession” which is set to be his next film.

All I can say is, best of luck to whoever ends up taking the role originally, and brilliantly, played by Isabelle Adjani. She was an on-screen FORCE in “Possession.” It’s possibly one of the best female performances I’ve ever seen.

Set in West Berlin, “Possession” stars Sam Neill as a spy who returns home to his wife (Adjani) only to learn that she’s having an affair. She asks for a divorce; he hires a private investigator and that leads the story into this nightmare descent into utter and surreal hell.

This was Żuławski’s grueling meditation on marriage, written as a reaction to his own, which was also in its final days. “Possession” received very mixed reviews upon release but has since been reappraised as a classic, and for good reason — you’ve never a film quite like this one.

Finn’s surprise horror hit, 2022’s “Smile,” really came out of nowhere. It was his feature length debut and grossed $217M worldwide on a skimp $17M budget. Critical response was fairly positive as well, and now he’s directed the sequel, set for release on October 18.

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