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Francis Ford Coppola Says He Hopes to “Make One More Film”

Coppola lost more than $100M on "Megalopolis," got hammered for it, and he knows the clock is running out for one more film. If "Glimpses of the Moon" is that film, someone needs to write the check soon.

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Taika Waititi Slams Critics as “Sad Lost Souls” and “Out of Touch” in Unhinged Rant Over ‘Klara and the Sun’

Firing back at critics is nothing new, but calling an entire profession “failed artists” who belong "in the bin" is hilarious, and wildly unhinged.

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Bill Burr Says ‘Digger' Critics Are “Out of Their Minds," and Their Bad Reviews “Won’t Age Well”

Is Burr right? Will “Digger” be the ‘Big Lebowski’ of 2026, a misunderstood bomb that finds its audience on home video? ‘Lebowski’ is hardly alone: “Blade Runner,” “The Shining” and “Fight Club” all followed the same path.

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The 20 Greatest Horror Movies of All-Time; Is ‘The Exorcist' Still The King?

Is “The Exorcist” truly the greatest horror film ever made, or has time crowned a new champion of fear? Maybe it’s “The Shining,” ‘Texas Chainsaw,’ “Psycho,” or something entirely unexpected that still keeps you up at night.

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Matthew Libatique Says Darren Aronofsky’s Next Film Will “Experiment” With AI

Here we have Darren Aronofsky's longtime DP, Matthew Libatique, confirming the two are running AI tests before shooting their next feature together.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

World of Reel

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Jane Schoenbrun's Next Film Will Tackle “Sex After Transition"

June 11, 2024 Jordan Ruimy

After the critical acclaim of this year’s “I Saw the TV Glow,” Jane Schoenbrun will continue to tackle the horrors of media and culture, but in an even more personal story.

Speaking to the New Yorker, Schoenbrun revealed that this next film is titled “Teenage Sex and Death at Camp Miasma,” a story about “a queer filmmaker hired to direct a new installment of a long-running slasher franchise. The director fixates on the prospect of casting the ‘final girl’ from the original movie, and the two women descend into a frenzy of psychosexual mania.”

“My next movie is all about sex––essentially a movie about learning to enjoy sex after transition. Pre-transition, it wasn’t that I was asexual––I had plenty of desire––but having good sex in the wrong body was impossible. What was available was full dissociation, which is obviously a theme in the first two films,” Schoenbrun had recently told Filmmaker Magazine.

The film will “both honor and critique” the “gender deviance” connected with the serial killer genre, exploring how films “created and codified an idea of transness as monstrous.” The goal is to shoot this one in early 2025.

“I Saw the TV Glow” has, so far, grossed $4 million at the domestic box office — its budget is said to be around $10M. However, the film was showered with rave reviews ever since its premiere at Sundance in January. I was mixed on it, but am more than willing to give it a rewatch.

Even after just two films, Schoenbrun’s cinematic obsession is quite clear: young people in the digital age. After “We’re All Going to the World’s Fair,” Schoenbrun yet again tackles media consumption overload, and the moving images that possess young minds in “I Saw the TV Glow.”

Who here’s seen “I Saw the TV Glow”?

← Kenneth Lonergan Confirms He's “Working" on His Next FilmZack Snyder's R-Rated ‘Rebel Moon’ Director’s Cuts to Stream in August — 3 Hours Each →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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