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Jacob Elordi Exits Cannes Jury After Foot Injury as Festival Scrambles for Replacement
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Luca Guadagnino’s ‘Artificial’ Delayed to 2027 to Avoid ‘The Social Network’ Sequel Clash
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‘Interstellar’ Is Now Letterboxd’s Most-Watched Film Ever — and Its Reappraisal Shows No Signs of Slowing
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A24’s ‘Tony’ Poster Teases Summer Release, Dominic Sessa Plays Anthony Bourdain
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Harmony Korine Says He’s Ready to Return to Traditional Cinema After Declaring “Movies Suck”
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Aug 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
Aug 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Aug 19, 2019

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Netflix Buys ‘Emilia Perez' for $12 Million [Cannes]

May 23, 2024 Jordan Ruimy

Netflix is close to acquiring North American and U.K. rights to Jacques Audiard’s “Emilia Perez,” which premiered at Cannes last week. This is a major sell as it positions the streamer in contention for the Palme d’Or.

Just imagine if “Emilia Perez” wins the Palme, it would become the first film Netflix film to do so. There were worthier films in competition, although ‘Emilia Perez’ is very good, but I wouldn’t be surprised if the Greta Gerwig led jury fell hard for this rambunctiously entertaining film.

Audiard’s musical, in Spanish, about a Mexican druglord who decides to transition into a woman, leaving his family behind and starting up a new life, has gotten fairly stellar reviews, so far — 70 on Metacritic and 88% on Rotten Tomatoes.

I’ll have more on what could win the Palme tomorrow, that’s when the final two films in competition screen: Mohammad Rasoulof’s “The Seed of the Sacred Fig” and Michel Hazanivicius’ “Precious Cargoes.”

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