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'Cosmic Motors,' John Lasseter's First Film in 15 Years, Moves from Netflix to Paramount Theatrical Release

Netflix and Skydance Animation have also called it quits. The two sides announced Monday that they're ending the animated film deal struck back in 2023, framing it as a mutual decision.

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Edward Berger’s Lance Armstrong Biopic, Starring Austin Butler, Starts Production in January

Edward Berger seems to have settled on what comes next. His Lance Armstrong biopic, starring Austin Butler, is now holding casting calls, with production eyed for January.

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Ramin Bahrani’s ‘Last Meals’ to Star Mads Mikkelsen, Boyd Holbrook, Michael Shannon, and Tessa Thompson

In "Last Meals," Mikkelsen stars as Walter Karat, a disgraced former White House chef now preparing final meals for death row inmates at a maximum security prison.

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‘NAZA’: Israel Moves to Strip Citizenship From Oscar-Winning Filmmakers Behind Gaza Doc

After its much-reported Venice premiere, Israel's culture minister is vowing to strip citizenship from the two Israeli filmmakers behind "NAZA."

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Chris Rock’s ‘Misty Green’ Premieres, Rosalind Eleazar Stuns — 73 on Metacritic [TIFF]

I wouldn't call this film great — it stops short of that because of how neatly it resolves itself — but I'll give Rock his due here: this is much better than his previous directorial effort, "Top Five."

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Ang Lee Blames ‘Brokeback Mountain' Oscar Loss On Homophobia

March 31, 2024 Jordan Ruimy

17 years after “Brokeback Mountain” lost Best Picture to “Crash,” director Ang Lee has decided to, state the obvious, by pointing the finger and blaming homophobia for the Oscar upset.

Lee tells IndieWire that there definitely was discrimination against his gay love story.

“Back then, [‘Brokeback Mountain’] had a ceiling. We got a lot of support — up to that much,” he said. “It has that feeling. I wasn’t holding a grudge or anything. It’s just how they were,” Lee said of the Academy at the time.

Lee did end up winning Best Director and he remembers coming off the stage, after accepting his award, thinking ‘Brokeback’ had would also win the big prize.

“I got my award, which was [second to] last to the big one, and I was walking off the stage, they called me down, and said, stay here. That’s your mark. Everybody assumes you will win, so stay at that mark,” Lee said. “Right next to the stage was the curtain. The next was Best Picture. Stay here, just stay here. I saw Jack Nicholson, his profile, he opened the envelope, and I go, ‘Oh my god, oh my god.’ It took like 10 seconds before he announced, and then he went, ‘Crash.’”

There’s no doubt in my mind that some discrimination played a role in ‘Brokeback’ losing to “Crash”. You even had a then 81-year-old Tony Curtis widely quoted as saying he “hasn’t seen the heavily Oscar-nominated picture and probably won’t, and the same is true for other Academy members,” and that “Howard Hughes and John Wayne wouldn’t like it.”

Roger Ebert actually predicted that “Crash” would take the Best Picture Oscar, essentially hinting that older-Academy-member homophobia was going to ultimately call the tune.

Then there was the late Nikki Finke‘s 02.02.07 L.A. Weekly column that stated “this year’s dirty little secret is the anecdotal evidence pouring in to me about hetero members being unwilling to screen Brokeback Mountain…for a community that takes pride in progressive values, it’s shameful that Hollywood’s homophobia may be on a par with Pat Robertson’s.”

So, the “upset” didn’t come out of left field. I don’t even think it should be qualified as an “upset”. The precursors had hinted at the eventual result. ‘Brokeback’ lost SAG, and “Crash” won WGA. The film also had passionate backing from the likes of Ebert and Oprah Winfrey, the latter dedicating an entire episode of her show to the film. “Crash” was the “middle of the road” pick, and the Academy decided to honor it instead of ‘Brokeback.’

Obviously, compared to “Crash,” ‘Brokeback’ has stood the test of time. I didn’t think Lee’s film was necessarily that great, but it would have surely been a worthier winner than “Crash.” However, if the Academy had any integrity back in the day then it would have nominated the best film of 2005, David Cronenberg’s “A History of Violence.” That was the real Oscar travesty from that year.

← ‘The Shrouds' is the Longest Film of David Cronenberg's Career (119 Minutes)‘Road House' is #1 on Streaming, and It's Not Even Close →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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