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The 20 Greatest Horror Movies of All-Time; Is ‘The Exorcist' Still The King?

Is “The Exorcist” truly the greatest horror film ever made, or has time crowned a new champion of fear? Maybe it’s “The Shining,” ‘Texas Chainsaw,’ “Psycho,” or something entirely unexpected that still keeps you up at night.

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Matthew Libatique Says Darren Aronofsky’s Next Film Will “Experiment” With AI

Here we have Darren Aronofsky's longtime DP, Matthew Libatique, confirming the two are running AI tests before shooting their next feature together.

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Box Office: ‘You Can See Everything' ($2M), ‘Clayface' ($1.9M), ‘Wildwood' ($1.3M) Lead a Quiet Thursday

Thursday numbers are in, and they hint at a quiet weekend, especially with no big wide release, unless you count "Christmas at the Kringles" as one. It managed $200K in previews from around 1800 screens.

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Angel Studios Bans Sex, Nudity and F-Words (Violence is Okay) in Sweeping New Content Policy

The studio has unveiled "The Angel Promise," a sweeping new content policy that bans on-screen sex, nudity, F-words and any misuse of God's name in its films.

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Amanda Seyfried Joins Brady Corbet's ‘The Origin of the World'

Seyfried just came off “The Testament of Ann Lee,” which, Corbet’s partner, Mona Fastvold directed and co-wrote with him. Corbet also served as second unit director on that film.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Oscars: ‘Anora' & ‘Conclave' Still the Frontrunners; THR Says ‘September 5' A “Lock" for Best Picture

November 24, 2024 Jordan Ruimy

It’s Thanksgiving and all the films that are potential Best Picture contenders have screened for AMPAS, guild, and select press. Granted, we’re still not entirely sure who the winner will be, that’s still very much up for grabs, but the pretenders are starting to reveal themselves.

The last movie to screen was James Mangold’s “A Complete Unknown” — the film itself has been politely approved of but it sounds more like an acting showcase than a best picture contender. Regardless, with the exception of ‘Complete Unknown,’

I’ve now seen everything that needs to be seen, “Anora” and “Conclave” are still the top two films to beat — nothing else comes close in my estimation. This is how I currently have the race ranked:

1) “Anora”
2) “Conclave”
3) “The Brutalist”
4) “Emilia Perez”
5) “Dune: Part II”
6) “A Real Pain”
7) “Sing Sing”
8) “Wicked”
9) “Nickel Boys”
10) “A Complete Unknown”

So, I just watched “September 5,” and that’s the same week THR’s Scott Feinberg wrote it’s a lock for a Best Picture nomination — this has me completely puzzled. Then again, Feinberg speaks to way more Oscar voters than I do so maybe he’s onto something. Who really knows.

Yes, Feinberg is saying that “September 5” is one of six locked films bound to get Best Picture nominated; the other ones are “Anora,” “The Brutalist,” “Conclave,” “Emilia Perez,” and “Wicked.”

Where’s “Dune: Part II”? Also, I don’t believe that “Wicked” has locked up a nomination — It’s currently my #8. Sure, it’s going to make a boatload of money, but the reviews are not all raves, and there’s even some who outright despise it.

Back to “September 5,” despite the film not really having much traction at the moment — Feinberg has repeatedly stated that it’s the film to beat for Best Picture, and I just don’t buy it. It’s a watchable, well-made love letter to journalism, but it barely covers new ground — we’ve seen films like this an inordinate amount of times before.

Last month, “September 5” landed at Paramount Pictures in a $10M deal. The film will hit theaters in December with a “major awards campaign behind it” via Paramount.

Sarsgaard, Benesch and John Magaro star in “September 5,” the third feature from director Tim Fehlbaum (“The Colony” and “Hell”), a dramatic thriller about ABC Sports’ coverage of the 1972 Munich Olympics terrorist attack in which Palestinian militants took hostage Israeli athletes. The story is told from the perspective of the broadcaster

THR has been hyping up “September 5” as the real deal for months now. The film didn’t screen at TIFF and was overshadowed by more buzzy titles at Venice but had a great showing at Telluride. It didn’t screen at either NYFF or London.

Regardless, now that every contender has screened, it’s much easier to surmise September 5’s chances, and I just can’t see it cracking the final 10 nominees.

← Box-Office: ‘Wicked' $112M Opening, ‘Gladiator II' $55MDenzel Washington Bewildered That Ridley Scott Hasn't Won an Oscar: “Doesn't Even Make Sense" →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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