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Paul Thomas Anderson Reportedly Shadowed Martin Scorsese and Rewrote ‘What Happens at Night’

Having an insurance director is not uncommon in Hollywood. Aging filmmakers, in case a health issue arises, sometimes need to have one. It seems like that’s what might have occurred on “What Happens at Night.”

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LOL: Eli Roth Blames Lionsgate for ‘Borderlands’ Failure, Says Final Cut Was Not His

The box-office bomb cost $145M to produce and ended up finishing its run with a total of just $31M worldwide in receipts. The film was reportedly a $115M for Lionsgate.

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Jeremy Saulnier’s New A24 Thriller ‘October’ Reveals First Plot Details — Will It Release This Year?

A24 has been keeping quiet about the film, but I hear it was recently screened internally, and a decision should be coming shortly, if not by the end of this month.

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Jane Schoenbrun Says A24 Passed on ‘Teenage Sex and Death at Camp Miasma’: “I Want to Destroy” the Systems That Make Movies

Schoenbrun struggled to get ‘Camp Miasma’ made after A24 passed on the project. MUBI eventually came aboard, financing the film with a $10 million budget.

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‘One Night Only’ Makes Sex Boring — Negative Reviews Greet the ‘Sex Purge’ Rom-Com as Callum Turner’s Bond Hopes Takes a Hit

“One Night Only” is essentially a rom-com version of “The Purge,” where premarital sex is banned except for one night a year. Yet it spends so much time justifying its concept that it forgets the sex.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘The Substance’ Director Coralie Fargeat Pulls Film From Camerimage ...

November 15, 2024 Jordan Ruimy

The Cameraimage blowback keeps intensifying.

Coralie Fargeat has decided to pull her film “The Substance” from Camerimage Film Festival following recent controversial comments from festival director Marek Żydowicz about female cinematographers. Here’s her statement via X:

“After discovering the highly misogynistic and offensive words of the director of the Camerimage Film Festival, I have decided to pull ‘The Substance’ from the festival (and [director of photography] Benjamin Kračun has decided not to attend),” Fargeat wrote in a statement posted to her X account. “‘The Substance’ is about the impact of exactly these types of behaviors on our world. We shouldn’t tolerate them anymore. We send our support to all involved in the festival and hope this decision will help create a much needed change.”

Fargeat joins Steve McQueen who also bowed out of the event in protest of fest director Marek Żydowicz’s op-ed in which he stated that we should not sacrifice quality in order to adhere to inclusivity.

“Can we sacrifice works and artists with outstanding artistic achievements solely to make room for mediocre productions?” Żydowicz wrote.

I keep seeing people use the word “misogynist” in describing Żydowicz’s comments; McQueen, Fargeat, and the BFC all used it, but that isn’t really a fair assessment of the op-ed he wrote. Just throwing that word around is dangerous and does no favors for all of the parties involved.

What Żydowicz actually said was that, of course, it is important to progress and have inclusion in the industry, but it should never be done in forced-upon fashion. Progression happens in baby steps, not by painstakingly revving up the quotas, sacrificing quality in the process.

Cate Blanchett wisely decided to remain Jury President of this year’s edition of the fest, releasing a statement that included the line, “we welcome debate.” Blanchett’s fellow jurors, which include Anthony Dod Mantle, Rodrigo Prieto, and Lukasz Zal, have all decided to stick around for the fest as well.

← Zach Snyder to Direct LAPD Action Movie for Netflix‘Godzilla Minus One’ Director Takashi Yamazaki To Direct First English-Language Film ‘Grandgear’ for Sony. →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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