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Angel Studios Bans Sex, Nudity and F-Words (Violence is Okay) in Sweeping New Content Policy

The studio has unveiled "The Angel Promise," a sweeping new content policy that bans on-screen sex, nudity, F-words and any misuse of God's name in its films.

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Amanda Seyfried Joins Brady Corbet's ‘The Origin of the World'

Seyfried just came off “The Testament of Ann Lee,” which, Corbet’s partner, Mona Fastvold directed and co-wrote with him. Corbet also served as second unit director on that film.

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Martin Scorsese Says Sony Hack Killed His ‘Cleopatra' With Angelina Jolie, Leonardo DiCaprio and Daniel Day-Lewis: “I’m So Mad About It”

In a new interview, Martin Scorsese casually revealed that he came very close to directing a "Cleopatra" epic with Angelina Jolie in the title role. And what killed it? North Korea.

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Fincher's ‘Cliff Booth' Loses Roughly 150 Screens as Regal, Cinemark “Politely Decline" Its Two-Week IMAX Run

Remember when, back in August, we learned “The Further Mis-Adventures of Cliff Booth” would be playing in only around 350 U.S. theaters, "maybe fewer"? Well, it's fewer. A lot fewer.

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Michael Douglas Says Jack Nicholson, 89, Is “Not Working Any More" and Has “Disappeared"

While James L. Brooks teased last year that "we'll soon be seeing" Jack Nicholson, 89, act again, and that he was "reading scripts," that idea has now been shut down by his close friend Michael Douglas, 82.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Cameraimage Boss' Op-ed on Women Cinematographers Sparks “Misogynistic” Backlash

November 12, 2024 Jordan Ruimy

UPDATE: Steve McQueen has decided to cancel his planned appearance at Cameraimage in protest of Żydowicz’s controversial comments. “Blitz” is supposed to be the opening night film of the 32nd edition (via THR).

EARLIER: Firstly, some context. Cameraimage is the preeminent and most prestigious film festival for cinematographers in the world, there’s no other event that comes close to it.

With that said, there’s now industry backlash aimed towards Camerimage director Marek Żydowicz’s op-ed in Cinematography World. He writes about the growing number of women cinematographers and directors, and comments: “Can we sacrifice works and artists with outstanding artistic achievements solely to make room for mediocre productions?”.

He adds, “While EnergaCamerimage strives to acknowledge the contributions of women in cinematography, it also aims to maintain artistic integrity. Change? Yes, but let’s remain decent and honest. It’s about rapid evolution, not a fanatical revolution that destroys the cathedrals of art and throws out its sculptures and paintings.”

The British Society of Cinematographers has described Żydowicz’s op-ed as ”misogynistic” and “aggressive” in tone. This has been supported by the American Society of Cinematographers.

Żydowicz replied to BSC, saying, “the accusations made against me in the statement published on BSC website are entirely misplaced and quite offensive,” and, “I am very sorry that BSC misinterpreted my comments”.

Żydowicz’s comments should not come as much of a surprise. Europe has been far less willing to adapt to U.S. and U.K. cultural progressivsm, which has led to Venice and Cannes getting heat from American and British-based journos for not being inclusive enough to female filmmakers.

Sure, the quality of one’s work still matters in the U.S. and U.K, but at times, it takes a backseat for the greater good of inclusivity. What Żydowicz seems to be saying is that, of course, it is important to progress and have inclusion in the industry, but it should never be done in forced-upon fashion. Progression happens in baby steps, not by painstakingly revving up the quotas, sacrificing quality in the process.

There seems to be a total lack of patience for progress, many people want the change to happen NOW, but in art, it can never be achieved at the flick of a switch. I see nothing wrong in what Żydowicz is saying.

← Guy Ritchie's ‘Wife & Dog' to Star Benedict Cumberbatch, Rosamund Pike and Anthony Hopkins‘Bridget Jones 4' Set to Be Renée Zellweger's First Film Since ‘Judy' Oscar Win [Trailer] →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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