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Jeremy Saulnier’s ‘Slayground’ Teaser Is a Total Misdirection, but Is It Really Coming “This Fall"?

I should warn you: based on everything I’ve heard, this teaser is a total misdirection. The movie is not at all what it’s being portrayed as here. In fact, most of the footage in the teaser comes from the first few minutes of the film.

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David Fincher’s ‘The Further Mis-Adventures of Cliff Booth’ FINALLY Has A Trailer!

Netrflix finally decided to stop teasing us with cryptic teasers and given us an actual trailer for David Fincher's Quentin Tarantino-scripted 'Once Upon a Time... in Hollywood' sequel.

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Ben Wheatley to Direct ‘Fear The Reaper’ With James McAvoy

Here's a small scoop for Sunday night. Nothing too exciting, since it concerns the once-promising Ben Wheatley, a filmmaker who broke out with the cult-horror gut-punch of "Kill List" and "A Field in England.”

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The Debut’ Was the Toast of Telluride. Then the Rest of Us Saw It at TIFF — Moore Is Great, Movie Is Good

Eisenberg has made a surreal nightmare of a comedy, one that's a step up in polish. It helps that Moore is wildly unhinged here — this performance is something to see, and some of her strongest work in years.

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Jeremy Strong Went Full Zuckerberg on ‘The Social Reckoning' Set: “He Did Not Speak in His Own Voice”

Jeremy Strong is at it again. During the ‘Social Reckoning’ shoot he treated his co-stars "the way he imagined" Mark Zuckerberg would treat them. Strong, of course, plays the Meta CEO in the film.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Mediocre ‘Saw X’ Nabs Surprisingly Positive Reviews, Franchise-Best

September 28, 2023 Jordan Ruimy

After it was test-screened to surprisingly good notices, I decided to attend Tuesday morning’s press screening of “Saw X.” Did I expect the positive reviews that it’s gotten so far? No. An 83% on Rotten Tomatoes, based on 30 reviews, is ridiculous.

It’s starting to seem as though the “certified fresh” tag doesn’t really mean anything anymore. Too many mediocre movies are getting it, and it’s turning out to be a meaningless thing.

Fact: the first ‘Saw’ film is still the most interesting one, a mostly-confined-to-one-set and memorable horror thriller that felt somewhat fresh back in the day. Anything after that was a way for Lionsgate to milk this franchise to death.

In “Saw X,” and much like the previous movies of this never-ending franchise, there’s a perverse fascination in finding the most original ways to showcase sliced-up limbs. This latest instalment might be one of the better outings of the series, but it’s still not a good movie.

It actually starts off in efficient fashion. The first 30 minutes are surprisingly gore-free, save for a brief flashback. Director Kevin Greutart shows John Kramer (Tobin Bell), sick of cancer and desperate for a cure, traveling to Mexico for a risky and experimental medical procedure.

Kramer is counting on a miracle, but he won’t find it there. It turns out that the entire operation is a scam to defraud the dying. Of course, Kramer decides to exact revenge on the con artists behind this sick plan and that’s where “Saw X” turns into the same old, same old graphic torture of the previous instalments.

For a moment there, the film had me. I wondered if the franchise had found some kind of humanity. Depicting Kramer as a hopeless victim of cancer, desperate for a miraculous treatment, is a nice creative touch. There’s a vulnerability to Bell’s performance here that works well on the viewer, only to be savaged away by his total and utterly veangeful demeanour in the film’s second hour.

Kramer’s “victims” are not good people, they prey on the dying, there isn’t anything much more despicable than that, but throughout the torture porn that they suffer at the hands of this twisted man, you want it all to stop — it turns empty and dull very quickly.

“Saw X” has a timeline that takes place between the first and second movie, call it “Saw 1.5” — Bell’s Kramer actually died in third movie, but they’ve found a way to bring him back here. This is the 10th movie of the franchise.

I'm actually surprised that we may get a fresh RT score out this one. It probably helped its cause that, after the first nine movies, expectations were down the drain for “Saw X”, so when it ends up bucking the trend and actually tries, for once, to tell a story, people take more notice.

← ‘Gladiator’ Sequel Had 50% of Filming Completed When Strike Shut Down ProductionAndrey Zvyagintsev’s ‘Jupiter’ to Shoot Next Spring →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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